Main menuVarious, Horace Finch at the organ of the Empress Ballroom, Blackpool
Veröffentlichungsdetails
| Titel | Horace Finch at the organ of the Empress Ballroom, Blackpool | ||||||||
| Künstler: | Various | ||||||||
| Kategorie: | BBC - RE* (Klicken Sie auf diese Schaltfläche, um andere Veröffentlichungen von anzuzeigen BBC - RE* Alben.) | ||||||||
| Etikett und Katalognummer: |  BBC Records - REC 129 | ||||||||
| Format: | Vinyl Alben | ||||||||
| Land: | UK  | ||||||||
| Freigegeben: | 1972 | ||||||||
| Genre: | Music - Popular Alle anderen Titel anzeigen als Music - Popular. | ||||||||
| Run-Off-Codes: | RE + 129 + 1 + 1 BBC RE + 129 + 2 + 1 BBC | ||||||||
| Artikel gelöscht? | Ja | ||||||||
| Verteilt/gedruckt von | E. J. Day Group, London and Bedford | ||||||||
| Seitenaufrufe: | 1582 Zeiten seit dem 20. Mai 2017, globaler Rang 3771, Rang ein albums is 2097. | ||||||||
| Meine Bewertung: | ***** | ||||||||
| Gästebewertung: | ***** | ||||||||
Meine Kopieninformationen
| In diesem Abschnitt werden die Informationen angezeigt, die ich für diese Veröffentlichung aufgezeichnet habe. | |||||||||||
| Detailwert | Wert | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| Zustand der Abdeckung | Nahezu neuwertig | ||||||||||
| Zustand aufzeichnen | Nahezu neuwertig | ||||||||||
| BBC zeichnet den Etikettencode auf | C | ||||||||||
| Zahl hat | 1 | ||||||||||
| Welche Art von Verkäufer wurde verwendet | Not recorded | ||||||||||
| Wo kann ich diese Veröffentlichung kaufen? | Möglicherweise können Sie diese Version auf den folgenden Websites erwerben (andere sind verfügbar!) | ||||||||||
| Amazon | |||||||||||
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Spuren
| Nachfolgend finden Sie eine Liste der Titel für diese Veröffentlichung. | |||||||||||
| Ablenken | Track und Interpret | Länge | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| A1 | Signature tune; On the prom, prom, promenade [Evans] | ||||||||||
| A2 | With a little bit of luck [Loewe] | ||||||||||
| A3 | I'll walk beside you [Murray] | ||||||||||
| A4 | Firefly [Phillips] | ||||||||||
| DANCING THROUGH THE AGES | |||||||||||
| A5 | See me deance the Polka [Grossmith / Arr. Finch] | ||||||||||
| A6 | Stephanie Gavotte [Czibulka] | ||||||||||
| A7 | Who's sorry now? [Snyder] | ||||||||||
| A8 | The snake [Martinez] | ||||||||||
| A9 | The whistling sergeant major [Bernard] | ||||||||||
| SELECTION - YESTERDAY'S TUNES | |||||||||||
| A10 | The world outside [Addinsell] | ||||||||||
| A11 | Who were you with last night ? [Godfrey / Sheridan] | ||||||||||
| A12 | As I love you [Livingston / Evans] | ||||||||||
| A13 | Everybody's doing it [Berlin] | ||||||||||
| A14 | In apple blossom time [Von Tilzer] | ||||||||||
| March | |||||||||||
| B1 | Under the double eagle [J. F. Wagner] | ||||||||||
| MEMORIES OF JOLSON | |||||||||||
| B2 | Sonny boy [Desylva / Brown / Henderson] | ||||||||||
| B3 | Pretty baby [Jackson / Van Alstyne] | ||||||||||
| B4 | Carolina in the morning [Donaldson] | ||||||||||
| B5 | Swanee [Gershwin] | ||||||||||
| B6 | Toot toot tootsie [Keyes / Erdman / Russo] | ||||||||||
| B7 | Waiting for the Robert E. Lee [Muir] | ||||||||||
| B8 | Over the rainbow [Arlen] | ||||||||||
| B9 | Windmill samba [Camilleri] | ||||||||||
| TUNES OF THE 50S | |||||||||||
| B10 | Chicago [Fisher] | ||||||||||
| B11 | Magic moments [Bacharach] | ||||||||||
| B12 | Ma, he's making eyes at me [Conrad] | ||||||||||
| B13 | April love [Pain] | ||||||||||
| B14 | Sugartime [Phillips] | ||||||||||
| B15 | The story of my life [Bacharach] | ||||||||||
| B16 | Sophia [Rober] | ||||||||||
| B17 | Signature tune; On the prom, prom, promenade [Evans] | ||||||||||
| Gesamtlänge des Mediums 0:00. | |||||||||||
Alle Release-Bilder
| Unten finden Sie alle Bilder des Covers (Vorderseite, Rückseite, Mitte und Beilagen, falls zutreffend) und Etiketten, die ich für diese Veröffentlichung habe. | |||||||||||
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| Rückseite | |||||||||||
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| Etikett | |||||||||||
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Rezensionen
| Nachfolgend finden Sie meine Rezension zu dieser Veröffentlichung und die Bewertungen. | ||
| Ein guter Eintrag, ich werde so schnell wie möglich eine vollständige Rezension hinzufügen! | ||
| Bewertungen | ||
|---|---|---|
| Meine Bewertung | 3 | |
| Gästebewertung | Aktueller Durchschnittswert ist 3. Um abzustimmen, wählen Sie bitte eine dieser Schaltflächen aus: | |
Zusätzliche Hinweise zum Cover, in der Mitte (Gatefold-Hülle) und etwaigen Beilagen | ||
| Horace Finch - Organist supreme; a perfectionist and ... a legend in his own life-time. Born St. Helens, Lancashire; a church organist at nine; solo and orchestral pianist, eleven years later, the the famous Blackpool Tower Orchestra and in 1927, the first English pianist to play, in public and from memory, George Gershwin's, ''Rhapsody in Blue''. Eight years later, appointed solo organist in the huge Empress Ballroom, in the Winter Gardens, Blackpool, playing for dancing, six days per week with afternoon and evening recitals of ''light'' music each Sunday. He was an immediate success and in addition to becoming a ''force majeure'' in the ballroom and on Radio, by 1939, he was recording ''star'' for ''Rex'' records - the same company for which his famous colleague, at the Tower, also recorded! In the same year, he was appointed solo organist in the New Opera House, playing the magnificent Wurlitzer, built to his own specification. Limited broadcasts were maintained throughout his service with the R. A. F., but during this period, much of his playing was on Hammond organs for camp concerts and dances plus ''charity concerts'' at various venues, as a result of which, he was twice ''mentioned in dispatches'' and is the proud possessor of a personally hand-written letter of thanks from Mrs. Winston Churchill. Throughout this remarkable recording, the unique style of Horace Finch is apparent. There is a brightness and accuracy of playing. Unnecessary ''frills'', drawn-out modulations are moitted and the use of ''full organ'' is carefully controlled. Frequently, one sustained note replaces the usual wandering counter-melody and invariably, ''second touch'' is used to allow the left hand to provide both melody and accompaniment whilst the right hand adds free but musical improvisation. Without doubt, Horace was a master of registration, often using but two or three stops in combination, resulting in unsurpassed clarity and brilliance of tone, indicating the mastery of both music and organ. At all times, precise and careful attention w2as paid to the use of the swell pedals and incessant application of the general crescendo pedal was meticulously avoided. The ''cathedral-like'' properties of the Empress Ballroom, so disturbing to lesser musicians, were actually used to extremely good effect and possibly even to the extent of enhancing his playing. Horace Finch may well have been flattered - but never successfully, imitated! Despite the permanently damaged third finger of his left handf, the result of the tragic accident in 1962, which brought an abrupt end to his career of this great organist, Horace now lives, in happy retirement, with his wife, Dorothy and Boxer dog, ''Ringo''. Undoubtedly, this is not merely a recording of his past musical achievements but a testimony of his lasting popularity and an indication of gratitude from the millions of people to whom he gave so much pleasure. ARMSBEE T. BANCROFT (1972) Side I broadcast in the Light Programme on 5.3.59. Side 2 broadcast in the Light Programme on 20.3.58. This record was made from tape recordings of 'live' broadcasts from the Empress Ballroom, Blackpool. | ||
Weitere Informationen | ||
| BBC Radio Enterprises Ltd und BBC Enterprises Ltd, Vorgänger von BBC Worldwide / BBC Worldwide Ltd., dem kommerziellen Zweig der BBC. Sie wurden 1968 bzw. 1979 gegründet, waren eine hundertprozentige Tochtergesellschaft der BBC und fusionierten 1995 mit BBC Worldwide. Damals gab es innerhalb des Unternehmens gegründete Unternehmen oder strukturierte Marken als Teil des Unternehmens, um sich um separate Geschäftsbereiche zu kümmern. z.B. BBC Records für aufgezeichnete Audiodaten. Manchmal geschrieben als BBC Enterprise Ltd. Die hier gezeigten Artikel stammen aus der „Haupt“-Bibliothek von BBC Records and Tapes und decken eine breite Auswahl an Genres ab, von Themen bis hin zu Comedy-Dramen und anderen, je nachdem, welches Format Sie ausgewählt haben. | ||
Statistiken
| Hier finden Sie einige Statistiken zu dieser Seite. |
| Seitenaufrufe: 1582 Zeiten seit dem 20. Mai 2017, globaler Rang 3771, Rang ein albums 2097. |
| Diese Seite wurde zuletzt zur 08-01-2025 at 22:07:43 britischen Ortszeit. |
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Copyright
© 2002-2026 Mike Everitt.Diese Seite wurde zuletzt zur: 08-01-2025 at 22:07:43 britischen Ortszeit.