Main menuVarious, Sound effects No. 1
Veröffentlichungsdetails
| Titel | Sound effects No. 1 | ||||||||
| Künstler: | Various | ||||||||
| Kategorie: | BBC - RE* (Klicken Sie auf diese Schaltfläche, um andere Veröffentlichungen von anzuzeigen BBC - RE* Alben.) | ||||||||
| Etikett und Katalognummer: |  BBC Sound Effects - RED 47 | ||||||||
| Format: | Vinyl Alben | ||||||||
| Land: | UK  | ||||||||
| Freigegeben: | 1969 | ||||||||
| Genre: | Sound effects Alle anderen Titel anzeigen als Sound effects. | ||||||||
| Run-Off-Codes: | RE + 47 + 1 BBC RE + 47 + 2 BBC | ||||||||
| Artikel gelöscht? | Ja | ||||||||
| Verteilt/gedruckt von | |||||||||
| Seitenaufrufe: | 1307 Zeiten seit dem 20. Mai 2017, globaler Rang 3867, Rang ein albums is 2145. | ||||||||
| Meine Bewertung: | ***** | ||||||||
| Gästebewertung: | ***** | ||||||||
Meine Kopieninformationen
| In diesem Abschnitt werden die Informationen angezeigt, die ich für diese Veröffentlichung aufgezeichnet habe. | |||||||||||
| Detailwert | Wert | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| Zustand der Abdeckung | Gut | ||||||||||
| Zustand aufzeichnen | Nahezu neuwertig | ||||||||||
| BBC zeichnet den Etikettencode auf | B | ||||||||||
| Zahl hat | 1 | ||||||||||
| Welche Art von Verkäufer wurde verwendet | Not recorded | ||||||||||
| Wo kann ich diese Veröffentlichung kaufen? | Möglicherweise können Sie diese Version auf den folgenden Websites erwerben (andere sind verfügbar!) | ||||||||||
| Amazon | |||||||||||
| Discogs | |||||||||||
| Ebay | |||||||||||
| EIL | |||||||||||
| MusicStack | |||||||||||
| Recordsale | |||||||||||
Duplikate
| Nachfolgend sind alle Duplikate aufgeführt, die ich für diese Version habe. | |||||||||||
| Doppelter Artikel 1 | Grund Re-issued sleeve, Zustand MMFY Run-Off-Codes RED 47 A-1 <> MB 1 RED 47 B-2U-1-1 | ||||||||||
| Doppelter Artikel 2 | Grund Older label, Zustand DDCY Run-Off-Codes RE 47 1-3 G RE + 47 + 2 BBC 1 | ||||||||||
Spuren
| Nachfolgend finden Sie eine Liste der Titel für diese Veröffentlichung. | |||||||||||
| Ablenken | Track und Interpret | Länge | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| WEATHER | |||||||||||
| A1 | Thunder - Rumbling roll | 0.17 | |||||||||
| A2 | - Booming roll | 0.10 | |||||||||
| A3 | - Sharp clap | 0.10 | |||||||||
| A4 | - Long, booming roll | 0.35 | |||||||||
| A5 | Rain (Heavy, in street) | 0.50 | |||||||||
| A6 | Wind (Eerie or sinister) | 0.50 | |||||||||
| SEASIDE ATMOSPHERE | |||||||||||
| A7 | Seagulls | 0.40 | |||||||||
| A8 | Heavy wash (on shingle) | 0.44 | |||||||||
| A9 | Water lapping (Shore of Loch Broom) | 0.45 | |||||||||
| BATHING | |||||||||||
| A10 | Diving - Springboard & Splash | 0.10 | |||||||||
| A11 | - Diving - 1 splash | 0.11 | |||||||||
| A12 | - Diving - double splash | 0.08 | |||||||||
| A13 | - Threshing water | 0.25 | |||||||||
| COUNTRY ATMOSPHERE | |||||||||||
| A14 | Birds - Cockerel | 0.15 | |||||||||
| A15 | - Chickens | 0.24 | |||||||||
| A16 | - A summer day | 0.48 | |||||||||
| A17 | Waterfall animals - Dog barking - Bull Mastiff | 0.20 | |||||||||
| A18 | - Dog howling - Goldon Setter | 0.22 | |||||||||
| A19 | - horse moves off, trots, stops | 0.40 | |||||||||
| BELLS | |||||||||||
| A20 | Church - Evercreech; ringing to end of Grandsire caters | 0.55 | |||||||||
| A21 | - St. Nicholas, Hamburg; tolling | 0.25 | |||||||||
| ALARM | |||||||||||
| A22 | Fire station alarm | 0.14 | |||||||||
| CLOCKS | |||||||||||
| A23 | Merton College, Oxford - Quarter, half & three-quarters | 1.06 | |||||||||
| A24 | - Chiming & striking 12 | 1.15 | |||||||||
| A25 | Domestic (Westminister Chimes) - Quarter, half & three-quarters | 0.50 | |||||||||
| A26 | - Chiming & striking 12 | 0.50 | |||||||||
| A27 | Greenwich pips | 0.05 | |||||||||
| BABY | |||||||||||
| A28 | Crying - 26 weeks old | 0.30 | |||||||||
| A29 | Playing - 36 weeks old | 0.30 | |||||||||
| ENTERTAINMENT | |||||||||||
| A30 | Cocktail party - Animated background chatter | 0.45 | |||||||||
| A31 | Laughter - Hearty, 30 people | 0.32 | |||||||||
| A32 | Applause - Enthusiastic, in theatre | 0.29 | |||||||||
| A33 | Cheering - Single cheer, 100 men | 0.05 | |||||||||
| A34 | - Continuous, large crowd | 0.30 | |||||||||
| OUTDOOR EVENTS | |||||||||||
| A35 | Motor racing - Start of Le Mans race | 0.40 | |||||||||
| A36 | - Cars passing at Le Mans | 0.40 | |||||||||
| POINT-TO-POINT MEETING | |||||||||||
| A37 | Background, with bookmakers | 0.40 | |||||||||
| A38 | - Horses passing at the gallop | 0.25 | |||||||||
| A39 | Stadium crowd - Atmosphere during League Match | 0.45 | |||||||||
| SPECIAL EFFECTS | |||||||||||
| A40 | Explosions - Close, sharp explosion | 0.06 | |||||||||
| A41 | - More distant, rumbling | 0.13 | |||||||||
| A42 | Fireworks - General display | 0.43 | |||||||||
| A43 | Footsteps on gravel - Man starts off, walks, stops | 0.36 | |||||||||
| A44 | Door creaks | 0.20 | |||||||||
| AIRCRAFT (JET) | |||||||||||
| B1 | Trident (3 jet engines) - Take-off | 0.50 | |||||||||
| B2 | - (Interior) Constant flight | 0.46 | |||||||||
| B3 | - Passing overhead | 0.54 | |||||||||
| B4 | - Landing & taxi | 0.50 | |||||||||
| B5 | - Airport activity | 0.36 | |||||||||
| AIRCRAFT (PROPELLER) | |||||||||||
| B6 | De Havilland Dove (Twin-propeller engine) - Take-off | 0.40 | |||||||||
| B7 | - (Interior) Constant flight | 0.46 | |||||||||
| B8 | - Passing overhead | 0.30 | |||||||||
| B9 | - Landing | 0.35 | |||||||||
| B10 | - (INTERIOR) Start engines, rev. | 1.09 | |||||||||
| SHIPS | |||||||||||
| B11 | Sirens - Liner | 0.10 | |||||||||
| B12 | - Tug (''Going astern'') | 0.05 | |||||||||
| B13 | - Ship answered by tub | 0.11 | |||||||||
| B14 | - Liner (Queen Mary) | 0.05 | |||||||||
| B15 | Cross-channel ferry - Departure preparations | 1.10 | |||||||||
| B16 | - Seawash at stern | 0.26 | |||||||||
| B17 | - Engines running at 18 knots | 0.44 | |||||||||
| B18 | - Vessel berthing | 0.44 | |||||||||
| TRAINS (DIESEL) | |||||||||||
| B19 | Diesel (English Electric Vulcan 2000 B. H. P.) - Siren, train departs | 0.30 | |||||||||
| B20 | - (INTERIOR) Constant run | 0.45 | |||||||||
| B21 | - Passing at speed | 0.25 | |||||||||
| B22 | - Arrival in station | 1.06 | |||||||||
| TRAINS (STEAM) | |||||||||||
| B23 | Steam (British Rail Southern Region) - Whistle, train departs | 0.30 | |||||||||
| B24 | - (INTERIOR) Constant run | 0.45 | |||||||||
| B25 | - Passing with whistle | 0.40 | |||||||||
| B26 | - Arrival in station | 0.42 | |||||||||
| MOTORCAR | |||||||||||
| B27 | Car (Wolsley 1660) - Starts & departs | 0.30 | |||||||||
| B28 | - (INTERIOR) Moves off to constant run | 0.45 | |||||||||
| B29 | - Passes at 60 mph | 0.21 | |||||||||
| B30 | - Arrives, stops, tick-over | 0.26 | |||||||||
| B31 | - Door opens & slams (1 & 2) | 0.15 | |||||||||
| B32 | - Various horns | 0.19 | |||||||||
| POLICE AND FIRE SERVICE | |||||||||||
| B33 | Police car (with 2-tone horn) - Approaches & stops | 0.22 | |||||||||
| B34 | - Departs | 0.20 | |||||||||
| B35 | Fire engine (with siren) - Approaches & stops | 0.42 | |||||||||
| TRAFFIC | |||||||||||
| B36 | Middle East - Busy side street | 0.47 | |||||||||
| B37 | London - Oxford Circus | 0.50 | |||||||||
| BIG BEN | |||||||||||
| B38 | Striking 12 o'clock | 1.25 | |||||||||
| Gesamtlänge des Mediums 46:29. | |||||||||||
Alle Release-Bilder
| Unten finden Sie alle Bilder des Covers (Vorderseite, Rückseite, Mitte und Beilagen, falls zutreffend) und Etiketten, die ich für diese Veröffentlichung habe. | |||||||||||
| Vorderseite | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
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| Rückseite | |||||||||||
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| Etikett | |||||||||||
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Rezensionen
| Nachfolgend finden Sie meine Rezension zu dieser Veröffentlichung und die Bewertungen. | ||
| Ein guter Eintrag, ich werde so schnell wie möglich eine vollständige Rezension hinzufügen! | ||
| Bewertungen | ||
|---|---|---|
| Meine Bewertung | 3 | |
| Gästebewertung | Aktueller Durchschnittswert ist 3. Um abzustimmen, wählen Sie bitte eine dieser Schaltflächen aus: | |
Zusätzliche Hinweise zum Cover, in der Mitte (Gatefold-Hülle) und etwaigen Beilagen | ||
| BBC SOUND EFFECTS No. 1 Compiled and edited by Rosemary Davis, actress, playwright and broadcaster who has written the following notes and hints on the use of this record. THE BBC SOUND EFFECTS LIBRARY is generally acknowledged to be the most comprehensive of its kind in the world, comprising approximately 6,000 recorded sounds. Now, for the first time, a selection of these high-quality recordings - used in BBC Radio and Television productions - has been published and made available to professional and amateur theatrical companies and film-makers. The selection has been edited to present those effects most frequently required in plays and home-movies. The record's on the turntable, you've decided which effects to use, it's simply a matter of incorporating them into your play, or on to your sound-track. If your experience and equipment are limited - have courage - it's not difficult, and the results can be sensational. SOUND EFFECTS FOR PLAYS Sound effects for plays should always be re-recorded on to tape in the order in which they will be required, with a band of coloured leader tape between them so you may see exactly where each one begins. Time the duration for which you will need a continuous background sound - like traffic - and make sure you assess the timings generously. Actors don't always play scenes at the same speed, and a line intended to mark a dramatic moment, such as: ''Will this rain never stop!'' falls damply on an audience who heard it stop just ten seconds before. Build up the required length of time on the tape by re-recording the same sound several times, being careful to eliminate any fading or silent pauses between each repetition. SOUND EFFECTS FOR FILMS I've also found it more convenient to transfer film sound effects on to tape first, in order to run film and tape together. Depending on the equipment, there could be a slight reduction in sound quality, and you may prefer to record directly on to the film. (But do practise first on the blank strip of film at the beginning and end of the reel. Film stripe works as recording tape but wears faster, especially if subjected to heavy noises.) RECORDING ON TO TAPE OR FILM To record the effect you want from the disc at the exact instant it begins, link up record player and tape-recorder / film projector, and play, without recording, the effect immediately preceding. When it ends, count to yourself the seconds that elapse before the next track begins. Now repeat the process, switching on the recorder / projector one second before the pause preceding your required effect ends. (Some film projector recording heads delay a frame or two before picking up the sound, and you may have to take this into account.) Use the recorder / projector modulator to bring up or fade out an effect - for example, the footsteps of a man departing or approaching. With most projectors it is also possible to superimpose a second effect on a background noise, through the microphone. An extension loudspeaker is desirable if best results are to be obtained. It should be situated in the location from which the reproduced sound would normally be heard: i. e. for street noises in a play, immediately outside the door or window of the set; for a film sound-track, close to the screen. The moment hen you run the film and actually hear the waves you can see thundering on to the beach is quite intoxicating. The maddening thing is, most of your audience will take it for granted. It's what they expect of waves. Good luck! Copyright note: he copying of the Sound Effects in this record onto tape for use in conjunction with a play or dubbing onto film is permitted. | ||
Andere Versionen | ||
| Ich habe den Titeltrack dieser Veröffentlichungen: | ||
| ZCM 47 | Sound effects No. 1 | |
| 51.0105 | Efectos de sonido No 1 | |
Weitere Informationen | ||
| BBC Radio Enterprises Ltd und BBC Enterprises Ltd, Vorgänger von BBC Worldwide / BBC Worldwide Ltd., dem kommerziellen Zweig der BBC. Sie wurden 1968 bzw. 1979 gegründet, waren eine hundertprozentige Tochtergesellschaft der BBC und fusionierten 1995 mit BBC Worldwide. Damals gab es innerhalb des Unternehmens gegründete Unternehmen oder strukturierte Marken als Teil des Unternehmens, um sich um separate Geschäftsbereiche zu kümmern. z.B. BBC Records für aufgezeichnete Audiodaten. Manchmal geschrieben als BBC Enterprise Ltd. Die hier gezeigten Artikel stammen aus der „Haupt“-Bibliothek von BBC Records and Tapes und decken eine breite Auswahl an Genres ab, von Themen bis hin zu Comedy-Dramen und anderen, je nachdem, welches Format Sie ausgewählt haben. | ||
Statistiken
| Hier finden Sie einige Statistiken zu dieser Seite. |
| Seitenaufrufe: 1307 Zeiten seit dem 20. Mai 2017, globaler Rang 3867, Rang ein albums 2145. |
| Diese Seite wurde zuletzt zur 31-12-2024 at 12:10:03 britischen Ortszeit. |
Andere Veröffentlichungen, die Sie interessieren könnten
| Nachfolgend finden Sie einige andere Veröffentlichungen, die damit in Zusammenhang stehen 'RED 47 Sound effects No. 1' basierend auf seinem Genre. | ||||
Copyright
© 2002-2025 Mike Everitt.Diese Seite wurde zuletzt zur: 31-12-2024 at 12:10:03 britischen Ortszeit.