Main menuPerlemuter, Perlemuter Plays Chopin
Detalles de lanzamiento
| Título | Perlemuter Plays Chopin | ||||||||
| Artista(s): | Perlemuter | ||||||||
| Categoría: | BBC - RE* (Haga clic en este botón para ver otras versiones de BBC - RE* Álbumes.) | ||||||||
| Etiqueta y número de catálogo: |  BBC Records - REB 153 | ||||||||
| Formato: | Vinyl Álbumes | ||||||||
| País: | UK  | ||||||||
| Liberado: | 1973 | ||||||||
| Género: | Music - Classical Ver todas las demás pistas enumeradas como Music - Classical. | ||||||||
| Códigos de salida: | RE 153 1 - 1 BBC 1 2 RE 153 - 2 - 2 BBC 1 0 | ||||||||
| Artículo eliminado? | Sí | ||||||||
| Distribuido / impreso por |  BBC | ||||||||
| Vistas de página: | 1008 veces desde el 20 de mayo de 2017, la clasificación global es 5938, rango en albums is 2913. | ||||||||
| Mi clasificación: | ***** | ||||||||
| Calificación de los huéspedes: | ***** | ||||||||
Información de mis copias
| Esta sección muestra la información que he registrado para esta versi&eocute;n. | |||||||||||
| Detalle | Valor | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| Estado de la cubierta | Casi perfecto | ||||||||||
| Condición de registro | Casi perfecto | ||||||||||
| Código de etiqueta de registros de la BBC | D | ||||||||||
| número tiene | 1 | ||||||||||
| Qué tipo de vendedor se utilizó | Not recorded | ||||||||||
| ¿Dónde puedo comprar este lanzamiento?? | Es posible que pueda comprar esta versión en los siguientes sitios web (¡hay otros disponibles!) | ||||||||||
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Pistas
| A continuación se muestra una lista de pistas para este lanzamiento. | |||||||||||
| Lado y pista | Pista y artista | Longitud | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| NOCTURNE | |||||||||||
| A1 | Nocturne in D flat, Op 27 no 2 | 4.40 | |||||||||
| A2 | Nocturne in G minor, Op 37 no 1 | 5.25 | |||||||||
| A3 | Nocturne in C sharp minor, Op posth. | 3.31 | |||||||||
| A4 | Nocturne in G minor, Op 15 no 3 | 4.39 | |||||||||
| A5 | Nocturne in E flat, Op 55 no 2 | 4.10 | |||||||||
| ETUDES - Etudes Op 25 | |||||||||||
| B1 | no 4 in A minor | 1.34 | |||||||||
| B2 | - no 5 in E minor | 3.17 | |||||||||
| B3 | - no 6 in G sharp minor | 2.08 | |||||||||
| Etudes Op 25 | |||||||||||
| B4 | no 7 in C sharp minor | 4.21 | |||||||||
| B5 | - no 9 in G flat | 1.03 | |||||||||
| Etudes Op 10 | |||||||||||
| B6 | no 10 in A flat | 2.17 | |||||||||
| B7 | - no 2 in A minor | 1.29 | |||||||||
| Etudes Op 10 | |||||||||||
| B8 | no 6 in E flat minor | 3.30 | |||||||||
| B9 | - no 9 in F minor | 2.09 | |||||||||
| Longitud total de los medios 44:13. | |||||||||||
Todas las fotos de lanzamiento
| A continuación se muestran todas las imágenes de la portada (anverso, reverso, medio e inserciones, si corresponde) y etiquetas que tengo para este lanzamiento. | |||||||||||
| Portada | |||||||||||
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| Contraportada | |||||||||||
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| Middle of cover | |||||||||||
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| Etiqueta | |||||||||||
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Reseñas
| A continuación se muestra mi reseña de este lanzamiento y las calificaciones. | ||
| ¡Una buena entrada, incluiré una reseña completa lo antes posible! | ||
| Calificaciones | ||
|---|---|---|
| Mi clasificación | 3 | |
| Calificación de los huéspedes | El valor medio actual es 3. Para votar, seleccione uno de estos botones: | |
Notas adicionales sobre la portada, la mitad (portada plegable) y cualquier encarte | ||
| The performances on this record have been chosen from broadcasts given by Vlado Perlemuter over the last four or five years; and one would like to think that other records will follow, because Perlemuter's playing of Chopin, like Schnabel's playing of Schubert, is, at its best, incomparable. Hoe is it, then, that he is less renowned than many of those whose performances of Chopin, once one has heard his own, are so much less satisfying? I think there may be two reasons. In the first place, an occasional lapse of memory, or a handful of wrong notes, either from nerves of through being too greatly moved - as happened in 1972 at Dartington Hall, where there was such prolonged applause as he came in to give his recital that when he sat down he left out the opening bar or two of Chopin's F major Ballade. Secondly, and more important, his style is very grand and simple, and hardly conforms at all to the favourite notions of Chopin playing. He puts line before detail, large patterns before small; there is nothing exquisite or fastidious of feminine. 'He has no soul', says the woman in the row behind; meaning the simplicity I have just mentioned. Of his performances, when he is playing at his best, one can genuinely say that at the end of each piece there is an extra thrill of satisfaction because everything has been so perfectly proportioned. At the same time, each phrase is alive; because although he 'puts line before detail', there is certainly no lack of nuances. It is only that they are of a different order. His priorities are, first, the underlying harmonic progressions; second, or perhaps equal first, the rhythm; third, the melodic detail. If I am right about that, it is one of the main reasons why one can listen again and again to most of the performances on this record. The large contours are always there; the details gradually come to seem natural and inevitable. Of course, there is another element of some importance - the piano playing itself! It has a orchestral quality, in its colouring (and use of the pedal), in the polyphony of different strands in the texture that are perfectly controlled and balanced, and in its depth of tone. And on both sides of the record, but especially in the Etudes - which are played not as studies but as great music - you will notice the marvellous independence of the two hands. This independence is a sine qua non of poetic performance, and that is what one hears all through the present record. May the BBC soon issue another. WILLIAM GLOCK VLADO PERLEMUTER was admitted to Cortot's class in the Paris Conservatoire at the early age of thirteen, and after winning several of the more important prizes of that institution he had the privilege of meeting Maurice Ravel and studying his entire piano works with him. Later, he was one of the first to play them all in public in two recitals. The war and its aftermath interrupted Vlado Perlemuter's career for several years. In 1950 he played again in Paris and since then has made regular appearances with the major orchestras of France, and has played with the Boston Symphony Orchestra under Charles Much, and with Pablo Casals at his Prades Festival. He tours extensively in West and East Europe, Canada, and Japan, giving recitals and master-classes. Parellel to this life at a concert pianist, he has since 1951 been one of the most distinguished professors at the Paris Conservatoire. In 1972 he was made an Officier de la Lgion d'Honneur, and an Honorary Fellow of the Royal Academy of Music, London. He has made recordings of Schmann's Kreisleriana and Fantasie, the entire piano works of Ravel, all the sonatas of Mozart, the 24 Preludes and 14 Waltzes of Chopin, and a Chopin recital which won the Grand Prix du Disque in France. Record produced by Diana Gordon and Sylvia Cartner Notes by Sir William Glock Sleeve design Andrew Prewett | ||
Otras versiones | ||
| Tengo la canción principal de estos lanzamientos: | ||
| REB 153-iD | Perlemuter Plays Chopin | |
Más información | ||
| BBC Radio Enterprises Ltd y BBC Enterprises Ltd, predecesoras de BBC Worldwide / BBC Worldwide Ltd., el brazo comercial de la BBC. Formadas en 1968 y 1979 respectivamente, eran una subsidiaria de propiedad total de la BBC y se fusionaron con BBC Worldwide en 1995. En ese momento, había empresas establecidas dentro de marcas estructuradas o establecidas como parte de la empresa para ocuparse de partes separadas del negocio. p.ej. BBC Records para audio grabado. A veces escrito como BBC Enterprise Ltd. Los elementos que se muestran aquí son de la biblioteca "principal" de registros y cintas de la BBC que cubre una amplia selección de géneros, desde temas, comedias dramáticas y otros, según el formato que haya seleccionado. | ||
Estadísticas
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| Vistas de página: 1008 veces desde el 20 de mayo de 2017, la clasificación global es 5938, rango en albums 2913. |
| Esta página fue actualizada por última vez el 26-03-2024 at 16:02:03 Hora local del Reino Unido. |
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© 2002-2025 Mike Everitt.Esta página fue actualizada por última vez el: 26-03-2024 at 16:02:03 Hora local del Reino Unido.