| A continuación se muestra una lista de pistas para este lanzamiento. |
| Lado y pista | Pista y artista | Longitud |
|---|
| THE MAN WHO NEVER WAS |
|---|
| A1 | This is the BBC Light Programme [Spike Milligan] | 1.46 |
| A2 | It was that very night that I, Captain Seagoon | 1.10 |
| A3 | Seagoon flung the interloper aside with a muttered oath | 2.37 |
| A4 | Get those horse flies out of here | 3.34 |
| A5 | Makin' whoopee [Max Geldray] | 2.40 |
| A6 | And now we have great pleasure in returning you to the Goon Show | 2.26 |
| A7 | All through the night, and this is where the story really starts | 1.35 |
| A8 | Soon I was at the gates of Woolwich Arsenal | 0.53 |
| A9 | Will you still be mine? [Ray Ellington] | 2.41 |
| A10 | And so the Woolwich Arsenal set about building | 1.48 |
| A11 | Gentleman, I think we're wasting time | 3.08 |
| A12 | Meet the man who never was | 1.43 |
| A13 | Dear listeners, with Bloodnok on his way to the Old Bailey | 1.15 |
| A14 | Yes, now we've taken great care | 2.00 |
| THE CASE OF THE MISSING CD PLATES |
|---|
| A15 | This is the BBC Home Service [Spike Milligan] | 1.13 |
| A16 | One morning in the year needle nardle noo | 3.24 |
| A17 | And so here I was, freshly run over | 1.10 |
| A18 | The lady is a trame [Max Geldray] | 2.49 |
| A19 | And so, while Eccles sets fire to nearby Craven Hotel | 3.55 |
| A20 | I finally extricated myself from under the piano | 2.54 |
| A21 | Dear listener, I realised I had them | 0.43 |
| A22 | Cloudburst [Ray Ellington] | 2.28 |
| A23 | The case of the missing CD plates, part the two | 2.37 |
| A24 | Chapter ten; it is midnight | 3.20 |
| A25 | The case of Seagoon versus the Titkakan embassy | 1.16 |
| A26 | And so I arrived in Titikaka with my bagpipes bent on revenge | 4.40 |
| WORLD WAR I |
|---|
| B1 | This is the BBC Home Service [Spike Milligan] | 0.51 |
| B2 | 1917 - England was at war | 1.30 |
| B3 | And now "......!", part two | 0.54 |
| B4 | The lounge of the East Acton labour exchange | 3.23 |
| B5 | Sometimes I'm happy [Max Geldray] | 2.17 |
| B6 | And now, on the faded document I see | 2.56 |
| B7 | Your name Neddie Seagoon? | 1.24 |
| B8 | Drawers cellular one, shirts angora two, tins mess one | 1.34 |
| B9 | In anticipation of his arrival | 1.17 |
| B10 | Someone knocking on the door with a duck | 3.09 |
| B11 | Beep beep [Ray Ellington] | 2.22 |
| B12 | On the western front, Seagoon prayed for the Germans to win | 1.03 |
| B13 | And so I volunteered to become a civilian | 2.07 |
| B14 | Meantime, midnight on a lonely anti-aircraft site in Epping Forest | 3.08 |
| B15 | Here is a special news bulletin | 1.46 |
| THE NASTY AFFAIR AT THE BURAMI OASIS |
|---|
| B16 | This is the BBC Home Service [Spike Milligan / Larry Stephens] | 1.22 |
| B17 | Good morning. Here is the news | 0.46 |
| B18 | Neddie Seagoon reporting for duty sir! | 1.59 |
| B19 | Yes, it was action at last | 1.44 |
| B20 | That night, the HMS Thespus | 1.51 |
| B21 | When you're smiling [Max Geldray] | 2.26 |
| B22 | The increasingly sordid affair at Burami Oasis | 2.47 |
| B23 | The nasty affair at the vBurami Oasis, part four | 2.12 |
| B24 | That night, by the light of the Araby-type moon | 3.41 |
| B25 | Lost in the jungle [Ray Ellington] | 3.05 |
| B26 | Once afloat in the oasis, the battleship dropped anchor | 2.08 |
| B27 | Cynical listeners may question the possibility of sailing a battleship on sand | 2.25 |
| B28 | Yes, dear listeners - without knowing it | 3.56 |
| Longitud total de los medios 1:59:48. |
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BBC Radio Collection - ZBBC 1867 CD
