| A continuación se muestra una lista de pistas para este lanzamiento. |
| Lado y pista | Pista y artista | Longitud |
|---|
| ROMMEL'S TREASURE |
|---|
| A1 | This is the BBC Home Service [Spike Milligan] | 1.42 |
| A2 | It was El Alamein 1942 | 1.58 |
| A3 | And so they buried the black box ten feet above the ground | 1.07 |
| A4 | German officer outside, sir! | 1.12 |
| A5 | Part two - five years after the war, in a Tobruk officers' mess | 1.52 |
| A6 | Charmaine [Max Geldray] | 3.05 |
| A7 | No, I dson't think she'd care for that antique | 3.51 |
| A8 | Now if listeners will adjust their ear trumpets to the new high frequency | 1.37 |
| A9 | Now here is a recording of Neddie Seagoon in his taxi | 3.51 |
| A10 | Love me or leave me [Ray Ellington] | 2.46 |
| A11 | Thank heavens! It was all a mirage | 2.14 |
| A12 | Dear listeners, here I was in a harrassing position | 2.28 |
| A13 | And so, dear listeners, they danced in hot pursuit of Moriarty | 4.03 |
| I'LL MET BY GOODLIGHT |
|---|
| A14 | This is the BBC Home Service [Spike Milligan] | 1.39 |
| A15 | The War Office, 1942; or if you're in the Navy, the Admiralty | 1.09 |
| A16 | Seagoon RN reporting, sir! | 2.03 |
| A17 | The following December on the third of January | 2.04 |
| A18 | Eyes front, there! Put those WRENs out! | 1.12 |
| A19 | Between the Devil and the deep blue sea [Ray Ellington] | 2.15 |
| A20 | I'll met by goodlight, part two | 2.21 |
| A21 | At four in the morning, the Crete party went abroad | 1.09 |
| A22 | At midnight on January the second | 2.34 |
| A23 | Basin Street blues [Max Geldray] | 2.30 |
| A24 | I'll met by goodlight part three. The capture | 1.14 |
| A25 | You got your sockful of spaghetti ready, Eccles? | 4.36 |
| A26 | Hands up and good evening, General! | 1.07 |
| A27 | Eccles! Eccles? You can open your eyes now | 2.01 |
| A28 | You won't be on it, mate! | 3.53 |
| I WAS MONTY'S TREBLE |
|---|
| B1 | This is the BBC Home Service [Spike Milligan] | 2.08 |
| B2 | We tell you the story of the best-kept secret of the well-known World War Two | 1.46 |
| B3 | Ze Englanders that broken through at El Alamein | 2.11 |
| B4 | This then was the enigma - who was Eccles? | 1.06 |
| B5 | There will never be another you [Max Geldray] | 3.03 |
| B6 | Gentlemen, prepare yourselves for part two | 2.04 |
| B7 | I think this bed's had it, Min | 2.23 |
| B8 | Blue Monday [Ray Ellington] | 2.37 |
| B9 | Part four - the German's become suspicious | 3.21 |
| B10 | Ned, let me explain this tangled pastiche | 3.35 |
| B11 | That night, one thousand guns of the Eighth Army thundered out their challenge | 2.10 |
| B12 | By dawn, the Germans had been routed | 3.19 |
| THE SEAGOOD MEMOIRS |
|---|
| B13 | This is the BBC Home Service [Larry Stephens / Maurice Wiltshire] | 1.39 |
| B14 | Ladies and gentlemen, we were to have started this week with part one | 2.14 |
| B15 | The piano drew up with a screech of brakes | 2.00 |
| B16 | I kiss your little hand, madame [Max Geldray] | 3.26 |
| B17 | And now, if I stand facing east, I can get a perfect view of part two | 2.27 |
| B18 | And now part three - a Welsh roundabout on the Great North Road | 2.12 |
| B19 | Well things are beginning to move now | 3.52 |
| B20 | The late late show [Ray Ellington] | 2.23 |
| B21 | That was on course Ray Ellington, the bed-ridden tap dancer. And now part three | 1.46 |
| B22 | It's part four - in a secret chemical laboratory | 1.52 |
| B23 | Seagoon pulls up a comfortable tiger and sits down to wait | 2.14 |
| B24 | The friends took me by force to the officers of Norbert Nark, publisher | 3.44 |
| Longitud total de los medios 2:03:05. |
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BBC Radio Collection - ZBBC 1869 CD
