Main menuPerlemuter, Perlemuter Plays Chopin
Détails de la version
| Titre | Perlemuter Plays Chopin | ||||||||
| Artistes: | Perlemuter | ||||||||
| Catégorie: | BBC - RE* (Cliquez sur ce bouton pour voir les autres versions de BBC - RE* Álbumes.) | ||||||||
| Étiquette et numéro de catalogue: |  BBC Records - REB 153 | ||||||||
| Format: | Vinyl Álbumes | ||||||||
| Pays: | UK  | ||||||||
| Libéré: | 1973 | ||||||||
| Genre: | Music - Classical Voir toutes les autres pistes répertoriées comme Music - Classical. | ||||||||
| Codes de liquidation: | RE 153 1 - 1 BBC 1 2 RE 153 - 2 - 2 BBC 1 0 | ||||||||
| Élément supprimé? | Oui | ||||||||
| Distribué / imprimé par |  BBC | ||||||||
| Pages vues: | 1152 fois depuis le 20 mai 2017, le classement mondial est 5831, rang dans albums is 2903. | ||||||||
| Mon classement: | ***** | ||||||||
| Évaluation des clients: | ***** | ||||||||
Informations sur mes copies
| Cette section montre les informations que j'ai enregistrées pour cette version. | |||||||||||
| Détail | Valeur | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| État de la couverture | Proche de la menthe | ||||||||||
| État d'enregistrement | Proche de la menthe | ||||||||||
| Code du label BBC Records | D | ||||||||||
| Le nombre a | 1 | ||||||||||
| Quel type de vendeur a été utilisé | Not recorded | ||||||||||
| Où puis-je acheter cette version? | Vous pourrez peut-être acheter cette version sur les sites Web suivants (d'autres sont disponibles !) | ||||||||||
| Amazon | |||||||||||
| Discogs | |||||||||||
| Ebay | |||||||||||
| EIL | |||||||||||
| MusicStack | |||||||||||
| Recordsale | |||||||||||
Des pistes
| Vous trouverez ci-dessous une liste de morceaux pour cette version. | |||||||||||
| Côté et piste | Piste et artiste | Longueur | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| NOCTURNE | |||||||||||
| A1 | Nocturne in D flat, Op 27 no 2 | 4.40 | |||||||||
| A2 | Nocturne in G minor, Op 37 no 1 | 5.25 | |||||||||
| A3 | Nocturne in C sharp minor, Op posth. | 3.31 | |||||||||
| A4 | Nocturne in G minor, Op 15 no 3 | 4.39 | |||||||||
| A5 | Nocturne in E flat, Op 55 no 2 | 4.10 | |||||||||
| ETUDES - Etudes Op 25 | |||||||||||
| B1 | no 4 in A minor | 1.34 | |||||||||
| B2 | - no 5 in E minor | 3.17 | |||||||||
| B3 | - no 6 in G sharp minor | 2.08 | |||||||||
| Etudes Op 25 | |||||||||||
| B4 | no 7 in C sharp minor | 4.21 | |||||||||
| B5 | - no 9 in G flat | 1.03 | |||||||||
| Etudes Op 10 | |||||||||||
| B6 | no 10 in A flat | 2.17 | |||||||||
| B7 | - no 2 in A minor | 1.29 | |||||||||
| Etudes Op 10 | |||||||||||
| B8 | no 6 in E flat minor | 3.30 | |||||||||
| B9 | - no 9 in F minor | 2.09 | |||||||||
| Longueur totale du média 44:13. | |||||||||||
Toutes les photos de la sortie
| Vous trouverez ci-dessous toutes les photos de couverture (recto, dos, milieu et inserts le cas échéant) et les étiquettes que j'ai pour cette version. | |||||||||||
| Couverture avant | |||||||||||
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| Quatrième de couverture | |||||||||||
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| Middle of cover | |||||||||||
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| Étiquette | |||||||||||
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Commentaires
| Vous trouverez ci-dessous mon avis sur cette version et les notes. | ||
| Une bonne entrée, j'inclurai une critique complète dès que possible ! | ||
| Notes | ||
|---|---|---|
| Mon classement | 3 | |
| Évaluation des clients | La valeur moyenne actuelle est 3. Pour voter, veuillez sélectionner l'un de ces boutons : | |
Notes supplémentaires sur la couverture, le milieu (pochette gatefold) et les éventuels inserts | ||
| The performances on this record have been chosen from broadcasts given by Vlado Perlemuter over the last four or five years; and one would like to think that other records will follow, because Perlemuter's playing of Chopin, like Schnabel's playing of Schubert, is, at its best, incomparable. Hoe is it, then, that he is less renowned than many of those whose performances of Chopin, once one has heard his own, are so much less satisfying? I think there may be two reasons. In the first place, an occasional lapse of memory, or a handful of wrong notes, either from nerves of through being too greatly moved - as happened in 1972 at Dartington Hall, where there was such prolonged applause as he came in to give his recital that when he sat down he left out the opening bar or two of Chopin's F major Ballade. Secondly, and more important, his style is very grand and simple, and hardly conforms at all to the favourite notions of Chopin playing. He puts line before detail, large patterns before small; there is nothing exquisite or fastidious of feminine. 'He has no soul', says the woman in the row behind; meaning the simplicity I have just mentioned. Of his performances, when he is playing at his best, one can genuinely say that at the end of each piece there is an extra thrill of satisfaction because everything has been so perfectly proportioned. At the same time, each phrase is alive; because although he 'puts line before detail', there is certainly no lack of nuances. It is only that they are of a different order. His priorities are, first, the underlying harmonic progressions; second, or perhaps equal first, the rhythm; third, the melodic detail. If I am right about that, it is one of the main reasons why one can listen again and again to most of the performances on this record. The large contours are always there; the details gradually come to seem natural and inevitable. Of course, there is another element of some importance - the piano playing itself! It has a orchestral quality, in its colouring (and use of the pedal), in the polyphony of different strands in the texture that are perfectly controlled and balanced, and in its depth of tone. And on both sides of the record, but especially in the Etudes - which are played not as studies but as great music - you will notice the marvellous independence of the two hands. This independence is a sine qua non of poetic performance, and that is what one hears all through the present record. May the BBC soon issue another. WILLIAM GLOCK VLADO PERLEMUTER was admitted to Cortot's class in the Paris Conservatoire at the early age of thirteen, and after winning several of the more important prizes of that institution he had the privilege of meeting Maurice Ravel and studying his entire piano works with him. Later, he was one of the first to play them all in public in two recitals. The war and its aftermath interrupted Vlado Perlemuter's career for several years. In 1950 he played again in Paris and since then has made regular appearances with the major orchestras of France, and has played with the Boston Symphony Orchestra under Charles Much, and with Pablo Casals at his Prades Festival. He tours extensively in West and East Europe, Canada, and Japan, giving recitals and master-classes. Parellel to this life at a concert pianist, he has since 1951 been one of the most distinguished professors at the Paris Conservatoire. In 1972 he was made an Officier de la Lgion d'Honneur, and an Honorary Fellow of the Royal Academy of Music, London. He has made recordings of Schmann's Kreisleriana and Fantasie, the entire piano works of Ravel, all the sonatas of Mozart, the 24 Preludes and 14 Waltzes of Chopin, and a Chopin recital which won the Grand Prix du Disque in France. Record produced by Diana Gordon and Sylvia Cartner Notes by Sir William Glock Sleeve design Andrew Prewett | ||
Autres versions | ||
| J'ai la chanson titre de ces sorties : | ||
| REB 153-iD | Perlemuter Plays Chopin | |
Informations complémentaires | ||
| BBC Radio Enterprises Ltd y BBC Enterprises Ltd, predecesoras de BBC Worldwide / BBC Worldwide Ltd., el brazo comercial de la BBC. Formadas en 1968 y 1979 respectivamente, eran una subsidiaria de propiedad total de la BBC y se fusionaron con BBC Worldwide en 1995. En ese momento, había empresas establecidas dentro de marcas estructuradas o establecidas como parte de la empresa para ocuparse de partes separadas del negocio. p.ej. BBC Records para audio grabado. A veces escrito como BBC Enterprise Ltd. Los elementos que se muestran aquí son de la biblioteca "principal" de registros y cintas de la BBC que cubre una amplia selección de géneros, desde temas, comedias dramáticas y otros, según el formato que haya seleccionado. | ||
Statistiques
| Voici quelques statistiques sur cette page. |
| Pages vues: 1152 fois depuis le 20 mai 2017, le classement mondial est 5831, rang dans albums 2903. |
| Cette page a été mise à jour pour la dernière fois le 26-03-2024 at 16:02:03 Heure locale du Royaume-Uni. |
Autres versions qui pourraient vous intéresser
| Vous trouverez ci-dessous quelques autres versions liées à 'REB 153 Perlemuter Plays Chopin' en fonction de son genre. | ||||
Copyright
© 2002-2025 Mike Everitt.Cette page a été mise à jour pour la dernière fois le: 26-03-2024 at 16:02:03 Heure locale du Royaume-Uni.