Main menuVarious, Sound effects No. 1
Détails de la version
| Titre | Sound effects No. 1 | ||||||||
| Artistes: | Various | ||||||||
| Catégorie: | BBC - RE* (Cliquez sur ce bouton pour voir les autres versions de BBC - RE* Albums.) | ||||||||
| Étiquette et numéro de catalogue: |  BBC Sound Effects - RED 47 | ||||||||
| Format: | Vinyl Albums | ||||||||
| Pays: | UK  | ||||||||
| Libéré: | 1969 | ||||||||
| Genre: | Sound effects Voir toutes les autres pistes répertoriées comme Sound effects. | ||||||||
| Codes de liquidation: | RE + 47 + 1 BBC RE + 47 + 2 BBC | ||||||||
| Élément supprimé? | Oui | ||||||||
| Distribué / imprimé par | |||||||||
| Pages vues: | 1301 fois depuis le 20 mai 2017, le classement mondial est 3867, rang dans albums is 2145. | ||||||||
| Mon classement: | ***** | ||||||||
| Évaluation des clients: | ***** | ||||||||
Informations sur mes copies
| Cette section montre les informations que j'ai enregistrées pour cette version. | |||||||||||
| Détail | Valeur | ||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| État de la couverture | Bien | ||||||||||
| État d'enregistrement | Proche de la menthe | ||||||||||
| Code du label BBC Records | B | ||||||||||
| Le nombre a | 1 | ||||||||||
| Quel type de vendeur a été utilisé | Not recorded | ||||||||||
| Où puis-je acheter cette version? | Vous pourrez peut-être acheter cette version sur les sites Web suivants (d'autres sont disponibles !) | ||||||||||
| Amazon | |||||||||||
| Discogs | |||||||||||
| Ebay | |||||||||||
| EIL | |||||||||||
| MusicStack | |||||||||||
| Recordsale | |||||||||||
Doublons
| Vous trouverez ci-dessous la liste de tous les doublons que j'ai pour cette version. | |||||||||||
| Article en double 1 | Raison Re-issued sleeve, condition MMFY Codes de liquidation RED 47 A-1 <> MB 1 RED 47 B-2U-1-1 | ||||||||||
| Article en double 2 | Raison Older label, condition DDCY Codes de liquidation RE 47 1-3 G RE + 47 + 2 BBC 1 | ||||||||||
Des pistes
| Vous trouverez ci-dessous une liste de morceaux pour cette version. | |||||||||||
| Côté et piste | Piste et artiste | Longueur | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
| WEATHER | |||||||||||
| A1 | Thunder - Rumbling roll | 0.17 | |||||||||
| A2 | - Booming roll | 0.10 | |||||||||
| A3 | - Sharp clap | 0.10 | |||||||||
| A4 | - Long, booming roll | 0.35 | |||||||||
| A5 | Rain (Heavy, in street) | 0.50 | |||||||||
| A6 | Wind (Eerie or sinister) | 0.50 | |||||||||
| SEASIDE ATMOSPHERE | |||||||||||
| A7 | Seagulls | 0.40 | |||||||||
| A8 | Heavy wash (on shingle) | 0.44 | |||||||||
| A9 | Water lapping (Shore of Loch Broom) | 0.45 | |||||||||
| BATHING | |||||||||||
| A10 | Diving - Springboard & Splash | 0.10 | |||||||||
| A11 | - Diving - 1 splash | 0.11 | |||||||||
| A12 | - Diving - double splash | 0.08 | |||||||||
| A13 | - Threshing water | 0.25 | |||||||||
| COUNTRY ATMOSPHERE | |||||||||||
| A14 | Birds - Cockerel | 0.15 | |||||||||
| A15 | - Chickens | 0.24 | |||||||||
| A16 | - A summer day | 0.48 | |||||||||
| A17 | Waterfall animals - Dog barking - Bull Mastiff | 0.20 | |||||||||
| A18 | - Dog howling - Goldon Setter | 0.22 | |||||||||
| A19 | - horse moves off, trots, stops | 0.40 | |||||||||
| BELLS | |||||||||||
| A20 | Church - Evercreech; ringing to end of Grandsire caters | 0.55 | |||||||||
| A21 | - St. Nicholas, Hamburg; tolling | 0.25 | |||||||||
| ALARM | |||||||||||
| A22 | Fire station alarm | 0.14 | |||||||||
| CLOCKS | |||||||||||
| A23 | Merton College, Oxford - Quarter, half & three-quarters | 1.06 | |||||||||
| A24 | - Chiming & striking 12 | 1.15 | |||||||||
| A25 | Domestic (Westminister Chimes) - Quarter, half & three-quarters | 0.50 | |||||||||
| A26 | - Chiming & striking 12 | 0.50 | |||||||||
| A27 | Greenwich pips | 0.05 | |||||||||
| BABY | |||||||||||
| A28 | Crying - 26 weeks old | 0.30 | |||||||||
| A29 | Playing - 36 weeks old | 0.30 | |||||||||
| ENTERTAINMENT | |||||||||||
| A30 | Cocktail party - Animated background chatter | 0.45 | |||||||||
| A31 | Laughter - Hearty, 30 people | 0.32 | |||||||||
| A32 | Applause - Enthusiastic, in theatre | 0.29 | |||||||||
| A33 | Cheering - Single cheer, 100 men | 0.05 | |||||||||
| A34 | - Continuous, large crowd | 0.30 | |||||||||
| OUTDOOR EVENTS | |||||||||||
| A35 | Motor racing - Start of Le Mans race | 0.40 | |||||||||
| A36 | - Cars passing at Le Mans | 0.40 | |||||||||
| POINT-TO-POINT MEETING | |||||||||||
| A37 | Background, with bookmakers | 0.40 | |||||||||
| A38 | - Horses passing at the gallop | 0.25 | |||||||||
| A39 | Stadium crowd - Atmosphere during League Match | 0.45 | |||||||||
| SPECIAL EFFECTS | |||||||||||
| A40 | Explosions - Close, sharp explosion | 0.06 | |||||||||
| A41 | - More distant, rumbling | 0.13 | |||||||||
| A42 | Fireworks - General display | 0.43 | |||||||||
| A43 | Footsteps on gravel - Man starts off, walks, stops | 0.36 | |||||||||
| A44 | Door creaks | 0.20 | |||||||||
| AIRCRAFT (JET) | |||||||||||
| B1 | Trident (3 jet engines) - Take-off | 0.50 | |||||||||
| B2 | - (Interior) Constant flight | 0.46 | |||||||||
| B3 | - Passing overhead | 0.54 | |||||||||
| B4 | - Landing & taxi | 0.50 | |||||||||
| B5 | - Airport activity | 0.36 | |||||||||
| AIRCRAFT (PROPELLER) | |||||||||||
| B6 | De Havilland Dove (Twin-propeller engine) - Take-off | 0.40 | |||||||||
| B7 | - (Interior) Constant flight | 0.46 | |||||||||
| B8 | - Passing overhead | 0.30 | |||||||||
| B9 | - Landing | 0.35 | |||||||||
| B10 | - (INTERIOR) Start engines, rev. | 1.09 | |||||||||
| SHIPS | |||||||||||
| B11 | Sirens - Liner | 0.10 | |||||||||
| B12 | - Tug (''Going astern'') | 0.05 | |||||||||
| B13 | - Ship answered by tub | 0.11 | |||||||||
| B14 | - Liner (Queen Mary) | 0.05 | |||||||||
| B15 | Cross-channel ferry - Departure preparations | 1.10 | |||||||||
| B16 | - Seawash at stern | 0.26 | |||||||||
| B17 | - Engines running at 18 knots | 0.44 | |||||||||
| B18 | - Vessel berthing | 0.44 | |||||||||
| TRAINS (DIESEL) | |||||||||||
| B19 | Diesel (English Electric Vulcan 2000 B. H. P.) - Siren, train departs | 0.30 | |||||||||
| B20 | - (INTERIOR) Constant run | 0.45 | |||||||||
| B21 | - Passing at speed | 0.25 | |||||||||
| B22 | - Arrival in station | 1.06 | |||||||||
| TRAINS (STEAM) | |||||||||||
| B23 | Steam (British Rail Southern Region) - Whistle, train departs | 0.30 | |||||||||
| B24 | - (INTERIOR) Constant run | 0.45 | |||||||||
| B25 | - Passing with whistle | 0.40 | |||||||||
| B26 | - Arrival in station | 0.42 | |||||||||
| MOTORCAR | |||||||||||
| B27 | Car (Wolsley 1660) - Starts & departs | 0.30 | |||||||||
| B28 | - (INTERIOR) Moves off to constant run | 0.45 | |||||||||
| B29 | - Passes at 60 mph | 0.21 | |||||||||
| B30 | - Arrives, stops, tick-over | 0.26 | |||||||||
| B31 | - Door opens & slams (1 & 2) | 0.15 | |||||||||
| B32 | - Various horns | 0.19 | |||||||||
| POLICE AND FIRE SERVICE | |||||||||||
| B33 | Police car (with 2-tone horn) - Approaches & stops | 0.22 | |||||||||
| B34 | - Departs | 0.20 | |||||||||
| B35 | Fire engine (with siren) - Approaches & stops | 0.42 | |||||||||
| TRAFFIC | |||||||||||
| B36 | Middle East - Busy side street | 0.47 | |||||||||
| B37 | London - Oxford Circus | 0.50 | |||||||||
| BIG BEN | |||||||||||
| B38 | Striking 12 o'clock | 1.25 | |||||||||
| Longueur totale du média 46:29. | |||||||||||
Toutes les photos de la sortie
| Vous trouverez ci-dessous toutes les photos de couverture (recto, dos, milieu et inserts le cas échéant) et les étiquettes que j'ai pour cette version. | |||||||||||
| Couverture avant | |||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|
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| Quatrième de couverture | |||||||||||
  | |||||||||||
| Étiquette | |||||||||||
      | |||||||||||
Commentaires
| Vous trouverez ci-dessous mon avis sur cette version et les notes. | ||
| Une bonne entrée, j'inclurai une critique complète dès que possible ! | ||
| Notes | ||
|---|---|---|
| Mon classement | 3 | |
| Évaluation des clients | La valeur moyenne actuelle est 3. Pour voter, veuillez sélectionner l'un de ces boutons : | |
Notes supplémentaires sur la couverture, le milieu (pochette gatefold) et les éventuels inserts | ||
| BBC SOUND EFFECTS No. 1 Compiled and edited by Rosemary Davis, actress, playwright and broadcaster who has written the following notes and hints on the use of this record. THE BBC SOUND EFFECTS LIBRARY is generally acknowledged to be the most comprehensive of its kind in the world, comprising approximately 6,000 recorded sounds. Now, for the first time, a selection of these high-quality recordings - used in BBC Radio and Television productions - has been published and made available to professional and amateur theatrical companies and film-makers. The selection has been edited to present those effects most frequently required in plays and home-movies. The record's on the turntable, you've decided which effects to use, it's simply a matter of incorporating them into your play, or on to your sound-track. If your experience and equipment are limited - have courage - it's not difficult, and the results can be sensational. SOUND EFFECTS FOR PLAYS Sound effects for plays should always be re-recorded on to tape in the order in which they will be required, with a band of coloured leader tape between them so you may see exactly where each one begins. Time the duration for which you will need a continuous background sound - like traffic - and make sure you assess the timings generously. Actors don't always play scenes at the same speed, and a line intended to mark a dramatic moment, such as: ''Will this rain never stop!'' falls damply on an audience who heard it stop just ten seconds before. Build up the required length of time on the tape by re-recording the same sound several times, being careful to eliminate any fading or silent pauses between each repetition. SOUND EFFECTS FOR FILMS I've also found it more convenient to transfer film sound effects on to tape first, in order to run film and tape together. Depending on the equipment, there could be a slight reduction in sound quality, and you may prefer to record directly on to the film. (But do practise first on the blank strip of film at the beginning and end of the reel. Film stripe works as recording tape but wears faster, especially if subjected to heavy noises.) RECORDING ON TO TAPE OR FILM To record the effect you want from the disc at the exact instant it begins, link up record player and tape-recorder / film projector, and play, without recording, the effect immediately preceding. When it ends, count to yourself the seconds that elapse before the next track begins. Now repeat the process, switching on the recorder / projector one second before the pause preceding your required effect ends. (Some film projector recording heads delay a frame or two before picking up the sound, and you may have to take this into account.) Use the recorder / projector modulator to bring up or fade out an effect - for example, the footsteps of a man departing or approaching. With most projectors it is also possible to superimpose a second effect on a background noise, through the microphone. An extension loudspeaker is desirable if best results are to be obtained. It should be situated in the location from which the reproduced sound would normally be heard: i. e. for street noises in a play, immediately outside the door or window of the set; for a film sound-track, close to the screen. The moment hen you run the film and actually hear the waves you can see thundering on to the beach is quite intoxicating. The maddening thing is, most of your audience will take it for granted. It's what they expect of waves. Good luck! Copyright note: he copying of the Sound Effects in this record onto tape for use in conjunction with a play or dubbing onto film is permitted. | ||
Autres versions | ||
| J'ai la chanson titre de ces sorties : | ||
| ZCM 47 | Sound effects No. 1 | |
| 51.0105 | Efectos de sonido No 1 | |
Informations complémentaires | ||
| BBC Radio Enterprises Ltd et BBC Enterprises Ltd, prédécesseurs de BBC Worldwide / BBC Worldwide Ltd., la branche commerciale de la BBC. Créées respectivement en 1968 et 1979, elles étaient une filiale entièrement détenue par la BBC et ont fusionné avec BBC Worldwide en 1995. À cette époque, des sociétés étaient créées ou structurées au sein de marques faisant partie de l'entreprise pour gérer des parties distinctes de l'entreprise. par exemple. BBC Records pour l'audio enregistré. Parfois écrit sous le nom de BBC Enterprise Ltd. Les éléments présentés ici proviennent de la bibliothèque "principale" de BBC Records and Tapes couvrant une large sélection de genres allant de thèmes, de comédies dramatiques et autres, en fonction du format que vous avez sélectionné. | ||
Statistiques
| Voici quelques statistiques sur cette page. |
| Pages vues: 1301 fois depuis le 20 mai 2017, le classement mondial est 3867, rang dans albums 2145. |
| Cette page a été mise à jour pour la dernière fois le 31-12-2024 at 12:10:03 Heure locale du Royaume-Uni. |
Autres versions qui pourraient vous intéresser
| Vous trouverez ci-dessous quelques autres versions liées à 'RED 47 Sound effects No. 1' en fonction de son genre. | ||||
Copyright
© 2002-2025 Mike Everitt.Cette page a été mise à jour pour la dernière fois le: 31-12-2024 at 12:10:03 Heure locale du Royaume-Uni.