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Various, Horace Finch at the organ of the Empress Ballroom, Blackpool

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TitoloHorace Finch at the organ of the Empress Ballroom, Blackpool
Artista(i):Various
Categoria:BBC - RE* (Fare clic su questo pulsante per visualizzare altre versioni di BBC - RE* Álbumes.)
Etichetta e numero di catalogo:Picture of images/labels/BBC Records.jpg labelBBC Records - REC 129
Formato:Vinyl Álbumes
Paese:UK UK flag
Rilasciato:1972
Genere:Music - Popular Visualizza tutte le altre tracce elencate come Music - Popular.
Codici di fuga:RE + 129 + 1 + 1 BBC
RE + 129 + 2 + 1 BBC
Elemento eliminato?Sì
Distribuito/stampato daE. J. Day Group, London and Bedford
Visualizzazioni di pagina:1504 volte dal 20 maggio 2017, la classifica globale è 3802, classificarsi albums is 2112.
La mia valutazione:*****
Valutazione degli ospiti:*****

Informazioni sulle mie copie

Questa sezione mostra le informazioni che ho registrato per questa versione.
DettaglioValore
Condizioni della copertinaQuasi pari al nuovo
Condizione di registrazioneQuasi pari al nuovo
Codice dell'etichetta della BBC RecordsC
Il numero ha1
Che tipo di venditore è stato utilizzatoNot recorded
Dove posso acquistare questa versione?Potresti essere in grado di acquistare questa versione dai seguenti siti Web (altri sono disponibili!)
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Brani

Di seguito è riportato un elenco delle tracce per questa versione
Lato e binarioTraccia e artistaLunghezza
A1Signature tune; On the prom, prom, promenade [Evans]
A2With a little bit of luck [Loewe]
A3I'll walk beside you [Murray]
A4Firefly [Phillips]
DANCING THROUGH THE AGES
A5 See me deance the Polka [Grossmith / Arr. Finch]
A6Stephanie Gavotte [Czibulka]
A7Who's sorry now? [Snyder]
A8The snake [Martinez]
A9The whistling sergeant major [Bernard]
SELECTION - YESTERDAY'S TUNES
A10 The world outside [Addinsell]
A11Who were you with last night ? [Godfrey / Sheridan]
A12As I love you [Livingston / Evans]
A13Everybody's doing it [Berlin]
A14In apple blossom time [Von Tilzer]
March
B1 Under the double eagle [J. F. Wagner]
MEMORIES OF JOLSON
B2 Sonny boy [Desylva / Brown / Henderson]
B3Pretty baby [Jackson / Van Alstyne]
B4Carolina in the morning [Donaldson]
B5Swanee [Gershwin]
B6Toot toot tootsie [Keyes / Erdman / Russo]
B7Waiting for the Robert E. Lee [Muir]
B8Over the rainbow [Arlen]
B9Windmill samba [Camilleri]
TUNES OF THE 50S
B10 Chicago [Fisher]
B11Magic moments [Bacharach]
B12Ma, he's making eyes at me [Conrad]
B13April love [Pain]
B14Sugartime [Phillips]
B15The story of my life [Bacharach]
B16Sophia [Rober]
B17Signature tune; On the prom, prom, promenade [Evans]
Lunghezza totale del supporto 0:00.

Tutte le foto rilasciate

Di seguito sono riportate tutte le immagini della copertina (anteriore, posteriore, centrale e inserti se applicabili) e delle etichette che ho per questa pubblicazione.
Copertura frontale
Front cover of REC 129
Copertina posteriore
Back cover of REC 129
Etichetta
Label Label

Recensioni

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Una buona voce, includerò una recensione completa al più presto!
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Note extra su copertina, parte centrale (copertina apribile) ed eventuali inserti

Horace Finch - Organist supreme; a perfectionist and ... a legend in his own life-time. Born St. Helens, Lancashire; a church organist at nine; solo and orchestral pianist, eleven years later, the the famous Blackpool Tower Orchestra and in 1927, the first English pianist to play, in public and from memory, George Gershwin's, ''Rhapsody in Blue''. Eight years later, appointed solo organist in the huge Empress Ballroom, in the Winter Gardens, Blackpool, playing for dancing, six days per week with afternoon and evening recitals of ''light'' music each Sunday. He was an immediate success and in addition to becoming a ''force majeure'' in the ballroom and on Radio, by 1939, he was recording ''star'' for ''Rex'' records - the same company for which his famous colleague, at the Tower, also recorded! In the same year, he was appointed solo organist in the New Opera House, playing the magnificent Wurlitzer, built to his own specification. Limited broadcasts were maintained throughout his service with the R. A. F., but during this period, much of his playing was on Hammond organs for camp concerts and dances plus ''charity concerts'' at various venues, as a result of which, he was twice ''mentioned in dispatches'' and is the proud possessor of a personally hand-written letter of thanks from Mrs. Winston Churchill.

Throughout this remarkable recording, the unique style of Horace Finch is apparent. There is a brightness and accuracy of playing. Unnecessary ''frills'', drawn-out modulations are moitted and the use of ''full organ'' is carefully controlled. Frequently, one sustained note replaces the usual wandering counter-melody and invariably, ''second touch'' is used to allow the left hand to provide both melody and accompaniment whilst the right hand adds free but musical improvisation. Without doubt, Horace was a master of registration, often using but two or three stops in combination, resulting in unsurpassed clarity and brilliance of tone, indicating the mastery of both music and organ. At all times, precise and careful attention w2as paid to the use of the swell pedals and incessant application of the general crescendo pedal was meticulously avoided. The ''cathedral-like'' properties of the Empress Ballroom, so disturbing to lesser musicians, were actually used to extremely good effect and possibly even to the extent of enhancing his playing. Horace Finch may well have been flattered - but never successfully, imitated! Despite the permanently damaged third finger of his left handf, the result of the tragic accident in 1962, which brought an abrupt end to his career of this great organist, Horace now lives, in happy retirement, with his wife, Dorothy and Boxer dog, ''Ringo''.

Undoubtedly, this is not merely a recording of his past musical achievements but a testimony of his lasting popularity and an indication of gratitude from the millions of people to whom he gave so much pleasure.
ARMSBEE T. BANCROFT
(1972)

Side I broadcast in the Light Programme on 5.3.59.
Side 2 broadcast in the Light Programme on 20.3.58.

This record was made from tape recordings of 'live' broadcasts from the Empress Ballroom, Blackpool.

Ulteriori informazioni

BBC Radio Enterprises Ltd y BBC Enterprises Ltd, predecesoras de BBC Worldwide / BBC Worldwide Ltd., el brazo comercial de la BBC. Formadas en 1968 y 1979 respectivamente, eran una subsidiaria de propiedad total de la BBC y se fusionaron con BBC Worldwide en 1995. En ese momento, había empresas establecidas dentro de marcas estructuradas o establecidas como parte de la empresa para ocuparse de partes separadas del negocio. p.ej. BBC Records para audio grabado. A veces escrito como BBC Enterprise Ltd.

Los elementos que se muestran aquí son de la biblioteca "principal" de registros y cintas de la BBC que cubre una amplia selección de géneros, desde temas, comedias dramáticas y otros, según el formato que haya seleccionado.

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Visualizzazioni di pagina: 1504 volte dal 20 maggio 2017, la classifica globale è 3802, classificarsi albums 2112.
Questa pagina è stata aggiornata l'ultima volta il 08-01-2024 at 22:07:43 Ora locale del Regno Unito.

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Questa pagina è stata aggiornata l'ultima volta il: 08-01-2024 at 22:07:43 Ora locale del Regno Unito.