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Various, Sound effects No. 1

Dettagli del rilascio

TitoloSound effects No. 1
Artista(i):Various
Categoria:BBC - RE* (Fare clic su questo pulsante per visualizzare altre versioni di BBC - RE* Alben.)
Etichetta e numero di catalogo:Picture of images/labels/BBC Sound Effects.jpg labelBBC Sound Effects - RED 47
Formato:Vinyl Alben
Paese:UK UK flag
Rilasciato:1969
Genere:Sound effects Visualizza tutte le altre tracce elencate come Sound effects.
Codici di fuga:RE + 47 + 1 BBC
RE + 47 + 2 BBC
Elemento eliminato?
Distribuito/stampato da
Visualizzazioni di pagina:1304 volte dal 20 maggio 2017, la classifica globale è 3867, classificarsi albums is 2145.
La mia valutazione:*****
Valutazione degli ospiti:*****

Informazioni sulle mie copie

Questa sezione mostra le informazioni che ho registrato per questa versione.
DettaglioValore
Condizioni della copertinaBene
Condizione di registrazioneQuasi pari al nuovo
Codice dell'etichetta della BBC RecordsB
Il numero ha1
Che tipo di venditore è stato utilizzatoNot recorded
Dove posso acquistare questa versione?Potresti essere in grado di acquistare questa versione dai seguenti siti Web (altri sono disponibili!)
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 Ebay
 EIL
 MusicStack
 Recordsale

Duplicati

Di seguito sono elencati tutti i duplicati che ho per questa versione.
Article en double 1Motivo Re-issued sleeve, condizione MMFY
Codici di fuga RED 47 A-1 <> MB 1
RED 47 B-2U-1-1
Article en double 2Motivo Older label, condizione DDCY
Codici di fuga RE 47 1-3 G
RE + 47 + 2 BBC 1

Brani

Di seguito è riportato un elenco delle tracce per questa versione
Lato e binarioTraccia e artistaLunghezza
WEATHER
A1 Thunder - Rumbling roll0.17
A2- Booming roll0.10
A3- Sharp clap0.10
A4- Long, booming roll0.35
A5Rain (Heavy, in street)0.50
A6Wind (Eerie or sinister)0.50
SEASIDE ATMOSPHERE
A7 Seagulls0.40
A8Heavy wash (on shingle)0.44
A9Water lapping (Shore of Loch Broom)0.45
BATHING
A10 Diving - Springboard & Splash0.10
A11- Diving - 1 splash0.11
A12- Diving - double splash0.08
A13- Threshing water0.25
COUNTRY ATMOSPHERE
A14 Birds - Cockerel0.15
A15- Chickens0.24
A16- A summer day0.48
A17Waterfall animals - Dog barking - Bull Mastiff0.20
A18- Dog howling - Goldon Setter0.22
A19- horse moves off, trots, stops0.40
BELLS
A20 Church - Evercreech; ringing to end of Grandsire caters0.55
A21- St. Nicholas, Hamburg; tolling0.25
ALARM
A22 Fire station alarm0.14
CLOCKS
A23 Merton College, Oxford - Quarter, half & three-quarters1.06
A24- Chiming & striking 121.15
A25Domestic (Westminister Chimes) - Quarter, half & three-quarters0.50
A26- Chiming & striking 120.50
A27Greenwich pips0.05
BABY
A28 Crying - 26 weeks old0.30
A29Playing - 36 weeks old0.30
ENTERTAINMENT
A30 Cocktail party - Animated background chatter0.45
A31Laughter - Hearty, 30 people0.32
A32Applause - Enthusiastic, in theatre0.29
A33Cheering - Single cheer, 100 men0.05
A34- Continuous, large crowd0.30
OUTDOOR EVENTS
A35 Motor racing - Start of Le Mans race0.40
A36- Cars passing at Le Mans0.40
POINT-TO-POINT MEETING
A37 Background, with bookmakers0.40
A38- Horses passing at the gallop0.25
A39Stadium crowd - Atmosphere during League Match0.45
SPECIAL EFFECTS
A40 Explosions - Close, sharp explosion0.06
A41- More distant, rumbling0.13
A42Fireworks - General display0.43
A43Footsteps on gravel - Man starts off, walks, stops0.36
A44Door creaks0.20
AIRCRAFT (JET)
B1 Trident (3 jet engines) - Take-off0.50
B2- (Interior) Constant flight0.46
B3- Passing overhead0.54
B4- Landing & taxi0.50
B5- Airport activity0.36
AIRCRAFT (PROPELLER)
B6 De Havilland Dove (Twin-propeller engine) - Take-off0.40
B7- (Interior) Constant flight0.46
B8- Passing overhead0.30
B9- Landing0.35
B10- (INTERIOR) Start engines, rev.1.09
SHIPS
B11 Sirens - Liner0.10
B12- Tug (''Going astern'')0.05
B13- Ship answered by tub0.11
B14- Liner (Queen Mary)0.05
B15Cross-channel ferry - Departure preparations1.10
B16- Seawash at stern0.26
B17- Engines running at 18 knots0.44
B18- Vessel berthing0.44
TRAINS (DIESEL)
B19 Diesel (English Electric Vulcan 2000 B. H. P.) - Siren, train departs0.30
B20- (INTERIOR) Constant run0.45
B21- Passing at speed0.25
B22- Arrival in station1.06
TRAINS (STEAM)
B23 Steam (British Rail Southern Region) - Whistle, train departs0.30
B24- (INTERIOR) Constant run0.45
B25- Passing with whistle0.40
B26- Arrival in station0.42
MOTORCAR
B27 Car (Wolsley 1660) - Starts & departs0.30
B28- (INTERIOR) Moves off to constant run0.45
B29- Passes at 60 mph0.21
B30- Arrives, stops, tick-over0.26
B31- Door opens & slams (1 & 2)0.15
B32- Various horns0.19
POLICE AND FIRE SERVICE
B33 Police car (with 2-tone horn) - Approaches & stops0.22
B34- Departs0.20
B35Fire engine (with siren) - Approaches & stops0.42
TRAFFIC
B36 Middle East - Busy side street0.47
B37London - Oxford Circus0.50
BIG BEN
B38 Striking 12 o'clock1.25
Lunghezza totale del supporto 46:29.

Tutte le foto rilasciate

Di seguito sono riportate tutte le immagini della copertina (anteriore, posteriore, centrale e inserti se applicabili) e delle etichette che ho per questa pubblicazione.
Copertura frontale
Front cover of RED 47 Front cover of RED 47
Copertina posteriore
Back cover of RED 47 Back cover of RED 47
Etichetta
Label LabelLabel Label Label Label

Recensioni

Di seguito è riportata la mia recensione per questa versione e le valutazioni.
Una buona voce, includerò una recensione completa al più presto!
Giudizi
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Note extra su copertina, parte centrale (copertina apribile) ed eventuali inserti

BBC SOUND EFFECTS No. 1
Compiled and edited by Rosemary Davis, actress, playwright and broadcaster who has written the following notes and hints on the use of this record.

THE BBC SOUND EFFECTS LIBRARY is generally acknowledged to be the most comprehensive of its kind in the world, comprising approximately 6,000 recorded sounds. Now, for the first time, a selection of these high-quality recordings - used in BBC Radio and Television productions - has been published and made available to professional and amateur theatrical companies and film-makers. The selection has been edited to present those effects most frequently required in plays and home-movies.

The record's on the turntable, you've decided which effects to use, it's simply a matter of incorporating them into your play, or on to your sound-track. If your experience and equipment are limited - have courage - it's not difficult, and the results can be sensational.

SOUND EFFECTS FOR PLAYS
Sound effects for plays should always be re-recorded on to tape in the order in which they will be required, with a band of coloured leader tape between them so you may see exactly where each one begins. Time the duration for which you will need a continuous background sound - like traffic - and make sure you assess the timings generously. Actors don't always play scenes at the same speed, and a line intended to mark a dramatic moment, such as: ''Will this rain never stop!'' falls damply on an audience who heard it stop just ten seconds before. Build up the required length of time on the tape by re-recording the same sound several times, being careful to eliminate any fading or silent pauses between each repetition.

SOUND EFFECTS FOR FILMS
I've also found it more convenient to transfer film sound effects on to tape first, in order to run film and tape together. Depending on the equipment, there could be a slight reduction in sound quality, and you may prefer to record directly on to the film. (But do practise first on the blank strip of film at the beginning and end of the reel. Film stripe works as recording tape but wears faster, especially if subjected to heavy noises.)

RECORDING ON TO TAPE OR FILM
To record the effect you want from the disc at the exact instant it begins, link up record player and tape-recorder / film projector, and play, without recording, the effect immediately preceding. When it ends, count to yourself the seconds that elapse before the next track begins. Now repeat the process, switching on the recorder / projector one second before the pause preceding your required effect ends. (Some film projector recording heads delay a frame or two before picking up the sound, and you may have to take this into account.)

Use the recorder / projector modulator to bring up or fade out an effect - for example, the footsteps of a man departing or approaching. With most projectors it is also possible to superimpose a second effect on a background noise, through the microphone.

An extension loudspeaker is desirable if best results are to be obtained. It should be situated in the location from which the reproduced sound would normally be heard: i. e. for street noises in a play, immediately outside the door or window of the set; for a film sound-track, close to the screen.

The moment hen you run the film and actually hear the waves you can see thundering on to the beach is quite intoxicating. The maddening thing is, most of your audience will take it for granted. It's what they expect of waves.

Good luck!

Copyright note: he copying of the Sound Effects in this record onto tape for use in conjunction with a play or dubbing onto film is permitted.
 

Altre versioni

Ho la traccia del titolo in queste pubblicazioni:
ZCM 47Sound effects No. 1
51.0105Efectos de sonido No 1

Ulteriori informazioni

BBC Radio Enterprises Ltd und BBC Enterprises Ltd, Vorgänger von BBC Worldwide / BBC Worldwide Ltd., dem kommerziellen Zweig der BBC. Sie wurden 1968 bzw. 1979 gegründet, waren eine hundertprozentige Tochtergesellschaft der BBC und fusionierten 1995 mit BBC Worldwide. Damals gab es innerhalb des Unternehmens gegründete Unternehmen oder strukturierte Marken als Teil des Unternehmens, um sich um separate Geschäftsbereiche zu kümmern. z.B. BBC Records für aufgezeichnete Audiodaten. Manchmal geschrieben als BBC Enterprise Ltd.

Die hier gezeigten Artikel stammen aus der „Haupt“-Bibliothek von BBC Records and Tapes und decken eine breite Auswahl an Genres ab, von Themen bis hin zu Comedy-Dramen und anderen, je nachdem, welches Format Sie ausgewählt haben.

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Visualizzazioni di pagina: 1304 volte dal 20 maggio 2017, la classifica globale è 3867, classificarsi albums 2145.
Questa pagina è stata aggiornata l'ultima volta il 31-12-2024 at 12:10:03 Ora locale del Regno Unito.

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© 2002-2025 Mike Everitt.

Questa pagina è stata aggiornata l'ultima volta il: 31-12-2024 at 12:10:03 Ora locale del Regno Unito.