Titel | Perlemuter Plays Chopin | ||||||||
Artiest(en): | Perlemuter | ||||||||
Categorie: | BBC - RE* (Klik op deze knop om andere releases van te bekijken BBC - RE* Albums.) | ||||||||
Etiket en catalogusnummer: | ![]() | ||||||||
Formaat: | Vinyl Albums | ||||||||
Land: | UK ![]() | ||||||||
Uitgegeven: | 1973 | ||||||||
Genre: | Music - Classical Bekijk alle andere nummers vermeld als Music - Classical. | ||||||||
Uitloopcodes: | RE 153 1 - 1 BBC 1 2 RE 153 - 2 - 2 BBC 1 0 | ||||||||
Artikel verwijderd? | Ja | ||||||||
Gedistribueerd/gedrukt door | ![]() | ||||||||
Paginaweergaven: | 1005 sinds 20 mei 2017, mondiale rangschikking is 5938, rang in albums is 2913. | ||||||||
Mijn score: | ***** | ||||||||
Gastwaardering: | ***** |
In dit gedeelte wordt de informatie weergegeven die ik voor deze release heb vastgelegd. | |||||||||||
Detail | Waarde | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|
Staat van de omslag | Bijna nieuwstaat | ||||||||||
Conditie opnemen | Bijna nieuwstaat | ||||||||||
BBC neemt labelcode op | D | ||||||||||
Nummer heeft | 1 | ||||||||||
Welk type verkoper werd gebruikt | Not recorded | ||||||||||
Waar kan ik deze uitgave kopen? | Mogelijk kunt u deze release aanschaffen via de volgende websites (andere zijn beschikbaar!) | ||||||||||
Amazon | |||||||||||
Discogs | |||||||||||
Ebay | |||||||||||
EIL | |||||||||||
MusicStack | |||||||||||
Recordsale |
Hieronder vindt u een lijst met nummers voor deze release. | |||||||||||
Kant en nummer | Track- en artiest | lengte | |||||||||
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NOCTURNE | |||||||||||
A1 | Nocturne in D flat, Op 27 no 2 | 4.40 | |||||||||
A2 | Nocturne in G minor, Op 37 no 1 | 5.25 | |||||||||
A3 | Nocturne in C sharp minor, Op posth. | 3.31 | |||||||||
A4 | Nocturne in G minor, Op 15 no 3 | 4.39 | |||||||||
A5 | Nocturne in E flat, Op 55 no 2 | 4.10 | |||||||||
ETUDES - Etudes Op 25 | |||||||||||
B1 | no 4 in A minor | 1.34 | |||||||||
B2 | - no 5 in E minor | 3.17 | |||||||||
B3 | - no 6 in G sharp minor | 2.08 | |||||||||
Etudes Op 25 | |||||||||||
B4 | no 7 in C sharp minor | 4.21 | |||||||||
B5 | - no 9 in G flat | 1.03 | |||||||||
Etudes Op 10 | |||||||||||
B6 | no 10 in A flat | 2.17 | |||||||||
B7 | - no 2 in A minor | 1.29 | |||||||||
Etudes Op 10 | |||||||||||
B8 | no 6 in E flat minor | 3.30 | |||||||||
B9 | - no 9 in F minor | 2.09 | |||||||||
Totale lengte van media 44:13. |
Hieronder staan alle omslagfoto's (voorkant, achterkant, midden en inzetstukken indien van toepassing) en labelfoto's die ik heb voor deze uitgave. | |||||||||||
Voorkant | |||||||||||
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Achteromslag | |||||||||||
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Middle of cover | |||||||||||
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Etiket | |||||||||||
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Hieronder vindt u mijn recensie voor deze release en de beoordelingen. | ||
Een goede inzending, ik zal zo snel mogelijk een volledige recensie toevoegen! | ||
Waarderingen | ||
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Mijn score | 3 | |
Gastwaardering | Huidige gemiddelde waarde is 3. Om te stemmen, selecteert u een van deze knoppen: | |
Extra opmerkingen over omslag, midden (klaphoes) en eventuele inlegvellen | ||
The performances on this record have been chosen from broadcasts given by Vlado Perlemuter over the last four or five years; and one would like to think that other records will follow, because Perlemuter's playing of Chopin, like Schnabel's playing of Schubert, is, at its best, incomparable. Hoe is it, then, that he is less renowned than many of those whose performances of Chopin, once one has heard his own, are so much less satisfying? I think there may be two reasons. In the first place, an occasional lapse of memory, or a handful of wrong notes, either from nerves of through being too greatly moved - as happened in 1972 at Dartington Hall, where there was such prolonged applause as he came in to give his recital that when he sat down he left out the opening bar or two of Chopin's F major Ballade. Secondly, and more important, his style is very grand and simple, and hardly conforms at all to the favourite notions of Chopin playing. He puts line before detail, large patterns before small; there is nothing exquisite or fastidious of feminine. 'He has no soul', says the woman in the row behind; meaning the simplicity I have just mentioned. Of his performances, when he is playing at his best, one can genuinely say that at the end of each piece there is an extra thrill of satisfaction because everything has been so perfectly proportioned. At the same time, each phrase is alive; because although he 'puts line before detail', there is certainly no lack of nuances. It is only that they are of a different order. His priorities are, first, the underlying harmonic progressions; second, or perhaps equal first, the rhythm; third, the melodic detail. If I am right about that, it is one of the main reasons why one can listen again and again to most of the performances on this record. The large contours are always there; the details gradually come to seem natural and inevitable. Of course, there is another element of some importance - the piano playing itself! It has a orchestral quality, in its colouring (and use of the pedal), in the polyphony of different strands in the texture that are perfectly controlled and balanced, and in its depth of tone. And on both sides of the record, but especially in the Etudes - which are played not as studies but as great music - you will notice the marvellous independence of the two hands. This independence is a sine qua non of poetic performance, and that is what one hears all through the present record. May the BBC soon issue another. WILLIAM GLOCK VLADO PERLEMUTER was admitted to Cortot's class in the Paris Conservatoire at the early age of thirteen, and after winning several of the more important prizes of that institution he had the privilege of meeting Maurice Ravel and studying his entire piano works with him. Later, he was one of the first to play them all in public in two recitals. The war and its aftermath interrupted Vlado Perlemuter's career for several years. In 1950 he played again in Paris and since then has made regular appearances with the major orchestras of France, and has played with the Boston Symphony Orchestra under Charles Much, and with Pablo Casals at his Prades Festival. He tours extensively in West and East Europe, Canada, and Japan, giving recitals and master-classes. Parellel to this life at a concert pianist, he has since 1951 been one of the most distinguished professors at the Paris Conservatoire. In 1972 he was made an Officier de la Lgion d'Honneur, and an Honorary Fellow of the Royal Academy of Music, London. He has made recordings of Schmann's Kreisleriana and Fantasie, the entire piano works of Ravel, all the sonatas of Mozart, the 24 Preludes and 14 Waltzes of Chopin, and a Chopin recital which won the Grand Prix du Disque in France. Record produced by Diana Gordon and Sylvia Cartner Notes by Sir William Glock Sleeve design Andrew Prewett | ||
Andere versies | ||
Ik heb het titelnummer van deze releases: | ||
REB 153-iD | Perlemuter Plays Chopin | |
Verdere informatie | ||
BBC Radio Enterprises Ltd en BBC Enterprises Ltd, voorlopers van BBC Worldwide / BBC Worldwide Ltd., de commerciële tak van de BBC. Ze werden respectievelijk opgericht in 1968 en 1979, waren een dochteronderneming die volledig eigendom was van de BBC en fuseerden in 1995 met BBC Worldwide. In die tijd waren er bedrijven opgericht binnen of gestructureerde merken als onderdeel van het bedrijf om afzonderlijke delen van het bedrijf af te handelen. bijv. BBC Records voor opgenomen audio. Soms geschreven als BBC Enterprise Ltd. De hier getoonde items komen uit de "hoofd" bibliotheek van BBC Records en Tapes en bestrijken een breed scala aan genres, van thema's, komische drama's en andere, afhankelijk van het formaat dat u hebt geselecteerd. |
Hier zijn enkele statistieken over deze pagina. |
Paginaweergaven: 1005 sinds 20 mei 2017, mondiale rangschikking is 5938, rang in albums 2913. |
Deze pagina is voor het laatst bijgewerkt op 26-03-2024 at 16:02:03 Britse lokale tijd. |
Hieronder vindt u enkele andere releases die hiermee verband houden 'REB 153 Perlemuter Plays Chopin' gebaseerd op zijn genre. | ||||