Titel | Horace Finch at the organ of the Empress Ballroom, Blackpool | ||||||||
Artiest(en): | Various | ||||||||
Categorie: | BBC - RE* (Klik op deze knop om andere releases van te bekijken BBC - RE* Álbumes.) | ||||||||
Etiket en catalogusnummer: | ![]() | ||||||||
Formaat: | Vinyl Álbumes | ||||||||
Land: | UK ![]() | ||||||||
Uitgegeven: | 1972 | ||||||||
Genre: | Music - Popular Bekijk alle andere nummers vermeld als Music - Popular. | ||||||||
Uitloopcodes: | RE + 129 + 1 + 1 BBC RE + 129 + 2 + 1 BBC | ||||||||
Artikel verwijderd? | Ja | ||||||||
Gedistribueerd/gedrukt door | E. J. Day Group, London and Bedford | ||||||||
Paginaweergaven: | 1503 sinds 20 mei 2017, mondiale rangschikking is 3802, rang in albums is 2112. | ||||||||
Mijn score: | ***** | ||||||||
Gastwaardering: | ***** |
In dit gedeelte wordt de informatie weergegeven die ik voor deze release heb vastgelegd. | |||||||||||
Detail | Waarde | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|
Staat van de omslag | Bijna nieuwstaat | ||||||||||
Conditie opnemen | Bijna nieuwstaat | ||||||||||
BBC neemt labelcode op | C | ||||||||||
Nummer heeft | 1 | ||||||||||
Welk type verkoper werd gebruikt | Not recorded | ||||||||||
Waar kan ik deze uitgave kopen? | Mogelijk kunt u deze release aanschaffen via de volgende websites (andere zijn beschikbaar!) | ||||||||||
Amazon | |||||||||||
Discogs | |||||||||||
Ebay | |||||||||||
EIL | |||||||||||
MusicStack | |||||||||||
Recordsale |
Hieronder vindt u een lijst met nummers voor deze release. | |||||||||||
Kant en nummer | Track- en artiest | lengte | |||||||||
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A1 | Signature tune; On the prom, prom, promenade [Evans] | ||||||||||
A2 | With a little bit of luck [Loewe] | ||||||||||
A3 | I'll walk beside you [Murray] | ||||||||||
A4 | Firefly [Phillips] | ||||||||||
DANCING THROUGH THE AGES | |||||||||||
A5 | See me deance the Polka [Grossmith / Arr. Finch] | ||||||||||
A6 | Stephanie Gavotte [Czibulka] | ||||||||||
A7 | Who's sorry now? [Snyder] | ||||||||||
A8 | The snake [Martinez] | ||||||||||
A9 | The whistling sergeant major [Bernard] | ||||||||||
SELECTION - YESTERDAY'S TUNES | |||||||||||
A10 | The world outside [Addinsell] | ||||||||||
A11 | Who were you with last night ? [Godfrey / Sheridan] | ||||||||||
A12 | As I love you [Livingston / Evans] | ||||||||||
A13 | Everybody's doing it [Berlin] | ||||||||||
A14 | In apple blossom time [Von Tilzer] | ||||||||||
March | |||||||||||
B1 | Under the double eagle [J. F. Wagner] | ||||||||||
MEMORIES OF JOLSON | |||||||||||
B2 | Sonny boy [Desylva / Brown / Henderson] | ||||||||||
B3 | Pretty baby [Jackson / Van Alstyne] | ||||||||||
B4 | Carolina in the morning [Donaldson] | ||||||||||
B5 | Swanee [Gershwin] | ||||||||||
B6 | Toot toot tootsie [Keyes / Erdman / Russo] | ||||||||||
B7 | Waiting for the Robert E. Lee [Muir] | ||||||||||
B8 | Over the rainbow [Arlen] | ||||||||||
B9 | Windmill samba [Camilleri] | ||||||||||
TUNES OF THE 50S | |||||||||||
B10 | Chicago [Fisher] | ||||||||||
B11 | Magic moments [Bacharach] | ||||||||||
B12 | Ma, he's making eyes at me [Conrad] | ||||||||||
B13 | April love [Pain] | ||||||||||
B14 | Sugartime [Phillips] | ||||||||||
B15 | The story of my life [Bacharach] | ||||||||||
B16 | Sophia [Rober] | ||||||||||
B17 | Signature tune; On the prom, prom, promenade [Evans] | ||||||||||
Totale lengte van media 0:00. |
Hieronder staan alle omslagfoto's (voorkant, achterkant, midden en inzetstukken indien van toepassing) en labelfoto's die ik heb voor deze uitgave. | |||||||||||
Voorkant | |||||||||||
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Achteromslag | |||||||||||
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Etiket | |||||||||||
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Hieronder vindt u mijn recensie voor deze release en de beoordelingen. | ||
Een goede inzending, ik zal zo snel mogelijk een volledige recensie toevoegen! | ||
Waarderingen | ||
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Mijn score | 3 | |
Gastwaardering | Huidige gemiddelde waarde is 3. Om te stemmen, selecteert u een van deze knoppen: | |
Extra opmerkingen over omslag, midden (klaphoes) en eventuele inlegvellen | ||
Horace Finch - Organist supreme; a perfectionist and ... a legend in his own life-time. Born St. Helens, Lancashire; a church organist at nine; solo and orchestral pianist, eleven years later, the the famous Blackpool Tower Orchestra and in 1927, the first English pianist to play, in public and from memory, George Gershwin's, ''Rhapsody in Blue''. Eight years later, appointed solo organist in the huge Empress Ballroom, in the Winter Gardens, Blackpool, playing for dancing, six days per week with afternoon and evening recitals of ''light'' music each Sunday. He was an immediate success and in addition to becoming a ''force majeure'' in the ballroom and on Radio, by 1939, he was recording ''star'' for ''Rex'' records - the same company for which his famous colleague, at the Tower, also recorded! In the same year, he was appointed solo organist in the New Opera House, playing the magnificent Wurlitzer, built to his own specification. Limited broadcasts were maintained throughout his service with the R. A. F., but during this period, much of his playing was on Hammond organs for camp concerts and dances plus ''charity concerts'' at various venues, as a result of which, he was twice ''mentioned in dispatches'' and is the proud possessor of a personally hand-written letter of thanks from Mrs. Winston Churchill. Throughout this remarkable recording, the unique style of Horace Finch is apparent. There is a brightness and accuracy of playing. Unnecessary ''frills'', drawn-out modulations are moitted and the use of ''full organ'' is carefully controlled. Frequently, one sustained note replaces the usual wandering counter-melody and invariably, ''second touch'' is used to allow the left hand to provide both melody and accompaniment whilst the right hand adds free but musical improvisation. Without doubt, Horace was a master of registration, often using but two or three stops in combination, resulting in unsurpassed clarity and brilliance of tone, indicating the mastery of both music and organ. At all times, precise and careful attention w2as paid to the use of the swell pedals and incessant application of the general crescendo pedal was meticulously avoided. The ''cathedral-like'' properties of the Empress Ballroom, so disturbing to lesser musicians, were actually used to extremely good effect and possibly even to the extent of enhancing his playing. Horace Finch may well have been flattered - but never successfully, imitated! Despite the permanently damaged third finger of his left handf, the result of the tragic accident in 1962, which brought an abrupt end to his career of this great organist, Horace now lives, in happy retirement, with his wife, Dorothy and Boxer dog, ''Ringo''. Undoubtedly, this is not merely a recording of his past musical achievements but a testimony of his lasting popularity and an indication of gratitude from the millions of people to whom he gave so much pleasure. ARMSBEE T. BANCROFT (1972) Side I broadcast in the Light Programme on 5.3.59. Side 2 broadcast in the Light Programme on 20.3.58. This record was made from tape recordings of 'live' broadcasts from the Empress Ballroom, Blackpool. | ||
Verdere informatie | ||
BBC Radio Enterprises Ltd y BBC Enterprises Ltd, predecesoras de BBC Worldwide / BBC Worldwide Ltd., el brazo comercial de la BBC. Formadas en 1968 y 1979 respectivamente, eran una subsidiaria de propiedad total de la BBC y se fusionaron con BBC Worldwide en 1995. En ese momento, había empresas establecidas dentro de marcas estructuradas o establecidas como parte de la empresa para ocuparse de partes separadas del negocio. p.ej. BBC Records para audio grabado. A veces escrito como BBC Enterprise Ltd. Los elementos que se muestran aquí son de la biblioteca "principal" de registros y cintas de la BBC que cubre una amplia selección de géneros, desde temas, comedias dramáticas y otros, según el formato que haya seleccionado. |
Hier zijn enkele statistieken over deze pagina. |
Paginaweergaven: 1503 sinds 20 mei 2017, mondiale rangschikking is 3802, rang in albums 2112. |
Deze pagina is voor het laatst bijgewerkt op 08-01-2024 at 22:07:43 Britse lokale tijd. |
Hieronder vindt u enkele andere releases die hiermee verband houden 'REC 129 Horace Finch at the organ of the Empress Ballroom, Blackpool' gebaseerd op zijn genre. | ||||