| Hieronder vindt u een lijst met nummers voor deze release. |
| Kant en nummer | Track- en artiest | lengte |
|---|
| THE CALL OF THE WEST |
|---|
| A1 | This is the BBC Home Service | 1.56 |
| A2 | It is 1867 and dead on time | 1.16 |
| A3 | Did you say covered wagon? | 1.46 |
| A4 | A nightingale sang in Berkeley Square [Max Geldray] | 2.46 |
| A5 | That night the wagon train rested on the plain | 2.20 |
| A6 | Fortunately for us, folks, a bare ten miles away | 4.17 |
| A7 | That night the tribes of the Sioux confederacy | 1.27 |
| A8 | Gentlemen, somebody's supplying the Indians with saxophones | 0.50 |
| A9 | You'd better know it [Ray Ellington] | 2.41 |
| A10 | Meantime in Dodge City, Television Centre of the Old West | 2.37 |
| A11 | I say barman! Drinks for my lady | 2.06 |
| A12 | I'm calling you fellas! | 2.59 |
| A13 | This then was the situation | 2.31 |
| A14 | Ladies and gentlemen, I have pleasure in announcing a knock on the door | 2.42 |
| THE LAST SMOKING SEAGOON |
|---|
| A15 | This is the BBC Home Service despite what the Light Programme says | 1.00 |
| A16 | And now we present Chapter One of a new dynamic novel | 2.05 |
| A17 | Welcome now to the shareholders' meeting, ladies and gentlemen | 3.27 |
| A18 | Three years on and six million nerve-wracking coughs later | 1.40 |
| A19 | Ladies and gentlemen, a Bow Street runner approaches | 1.20 |
| A20 | What more do you want? [Max Geldray] | 2.59 |
| A21 | Part four - the dreaded National Health hospital at Hampton Court | 1.56 |
| A22 | And now part two of an early Roman trouser plantation | 3.03 |
| A23 | Too marvellous for woods [Ray Ellington] | 2.10 |
| A24 | Aeiough! Well, Ned! So we meet again thanks to skilful writing | 1.00 |
| A25 | Neddie hid all the way on the boat to South America | 2.00 |
| A26 | Neddie, despite the age of that joke | 2.34 |
| A27 | Meantime, coughing Ned plans to escape | 2.14 |
| A28 | A direct hit from the tobacco-powered Zeppelin on the rice-paper balloon | 2.36 |
| 1985 |
|---|
| B1 | This is the BBC Home Service | 1.23 |
| B2 | My name is 846 Winston Seagoon | 1.30 |
| B3 | Worker Seagoon! Did I hear you complaining? | 1.54 |
| B4 | I love you, darling! | 1.40 |
| B5 | That night in my room I sat out of range of the TV screen | 0.33 |
| B6 | It had to be you [Max Geldray] | 2.57 |
| B7 | And so I entered the forbidden Goon sector of London | 2.12 |
| B8 | It was then I wandered into an antique shop | 2.10 |
| B9 | Oh! Bluebottle! Eccles! | 2.02 |
| B10 | Here we are! Number ten, the ITA headquarters | 1.08 |
| B11 | Shake, rattle and roll [Ray Ellington] | 2.37 |
| B12 | Attention! 846 Winston Seagoon | 3.21 |
| B13 | So the awful torture went on | 0.58 |
| B14 | Enter torturer Bluebottle! | 2.46 |
| B15 | Listen, listen! Great news! | 2.38 |
| SHIFTING SANDS |
|---|
| B16 | This is the BBC Light Programme | 1.32 |
| B17 | The tale Bloodnok told was of India | 1.54 |
| B18 | Seagoon reporting, sir! | 3.07 |
| B19 | Isn't this a lovely day? [Max Geldray] | 2.52 |
| B20 | Ther shifting sonds of Westerizoon, part flin | 0.55 |
| B21 | A glass of port? I don't mind if I do! | 3.36 |
| B22 | Look, the relief column's arrived | 1.52 |
| B23 | All of you / All of me [Ray Ellington] | 2.41 |
| B24 | The shifting sands of Waziristan, part three | 4.24 |
| B25 | What's going on here? Who's this soldier asleep on guard? | 2.35 |
| B26 | Through the long night, the Waziris attacked | |
| B27 | Good morning, gentlemen. British customs officers | 1.17 |
| B28 | That was all fifty-scree years ago | 3.33 |
| Totale lengte van media 2:02:25. |
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