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Various, Sound effects No. 1 Cassettes

Vrijgavedetails

TitelSound effects No. 1
Artiest(en):Various
Categorie:BBC - ZC* (Klik op deze knop om andere releases van te bekijken BBC - ZC* Cassettes.)
Etiket en catalogusnummer:Picture of images/labels/BBC.jpg labelBBC - ZCM 47
Formaat:Tape Cassettes
Land:UK UK flag
Uitgegeven:1969
Genre:Sound effects Bekijk alle andere nummers vermeld als Sound effects.
Uitloopcodes:
Artikel verwijderd?Ja
Gedistribueerd/gedrukt door
Paginaweergaven:1667 sinds 20 mei 2017, mondiale rangschikking is 3369, rang in cassettes is 236.
Mijn score:*****
Gastwaardering:*****

Mijn kopieën-informatie

In dit gedeelte wordt de informatie weergegeven die ik voor deze release heb vastgelegd.
DetailWaarde
OpnamestatusMomenteel niet in mijn collectie.

Als u een exemplaar te koop heeft, gebruik dan de volgende knop om contact met mij op te nemen.
Nummer heeft0
Welk type verkoper werd gebruiktNot recorded
Waar kan ik deze uitgave kopen?Mogelijk kunt u deze release aanschaffen via de volgende websites (andere zijn beschikbaar!)
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Recensies

Hieronder vindt u mijn recensie voor deze release en de beoordelingen.
Een goede inzending, ik zal zo snel mogelijk een volledige recensie toevoegen!
Waarderingen
Mijn score3
GastwaarderingHuidige gemiddelde waarde is 3.

Om te stemmen, selecteert u een van deze knoppen:

Extra opmerkingen over omslag, midden (klaphoes) en eventuele inlegvellen

BBC SOUND EFFECTS No. 1
Compiled and edited by Rosemary Davis, actress, playwright and broadcaster who has written the following notes and hints on the use of this record.

THE BBC SOUND EFFECTS LIBRARY is generally acknowledged to be the most comprehensive of its kind in the world, comprising approximately 6,000 recorded sounds. Now, for the first time, a selection of these high-quality recordings - used in BBC Radio and Television productions - has been published and made available to professional and amateur theatrical companies and film-makers. The selection has been edited to present those effects most frequently required in plays and home-movies.

The record's on the turntable, you've decided which effects to use, it's simply a matter of incorporating them into your play, or on to your sound-track. If your experience and equipment are limited - have courage - it's not difficult, and the results can be sensational.

SOUND EFFECTS FOR PLAYS
Sound effects for plays should always be re-recorded on to tape in the order in which they will be required, with a band of coloured leader tape between them so you may see exactly where each one begins. Time the duration for which you will need a continuous background sound - like traffic - and make sure you assess the timings generously. Actors don't always play scenes at the same speed, and a line intended to mark a dramatic moment, such as: ''Will this rain never stop!'' falls damply on an audience who heard it stop just ten seconds before. Build up the required length of time on the tape by re-recording the same sound several times, being careful to eliminate any fading or silent pauses between each repetition.

SOUND EFFECTS FOR FILMS
I've also found it more convenient to transfer film sound effects on to tape first, in order to run film and tape together. Depending on the equipment, there could be a slight reduction in sound quality, and you may prefer to record directly on to the film. (But do practise first on the blank strip of film at the beginning and end of the reel. Film stripe works as recording tape but wears faster, especially if subjected to heavy noises.)

RECORDING ON TO TAPE OR FILM
To record the effect you want from the disc at the exact instant it begins, link up record player and tape-recorder / film projector, and play, without recording, the effect immediately preceding. When it ends, count to yourself the seconds that elapse before the next track begins. Now repeat the process, switching on the recorder / projector one second before the pause preceding your required effect ends. (Some film projector recording heads delay a frame or two before picking up the sound, and you may have to take this into account.)

Use the recorder / projector modulator to bring up or fade out an effect - for example, the footsteps of a man departing or approaching. With most projectors it is also possible to superimpose a second effect on a background noise, through the microphone.

An extension loudspeaker is desirable if best results are to be obtained. It should be situated in the location from which the reproduced sound would normally be heard: i. e. for street noises in a play, immediately outside the door or window of the set; for a film sound-track, close to the screen.

The moment hen you run the film and actually hear the waves you can see thundering on to the beach is quite intoxicating. The maddening thing is, most of your audience will take it for granted. It's what they expect of waves.

Good luck!

Copyright note: he copying of the Sound Effects in this record onto tape for use in conjunction with a play or dubbing onto film is permitted.
 

Andere versies

Ik heb andere vergelijkbare versies, hier is de 'primaire' release in de database:
RED 47Sound effects No. 1

Verdere informatie

BBC Radio Enterprises Ltd e BBC Enterprises Ltd, predecessori di BBC Worldwide / BBC Worldwide Ltd., il braccio commerciale della BBC. Costituite rispettivamente nel 1968 e nel 1979, erano una filiale interamente posseduta dalla BBC e si fusero con BBC Worldwide nel 1995. A quel tempo, c'erano società create all'interno o marchi strutturati come parte dell'azienda per gestire parti separate del business, per esempio. BBC Records per l'audio registrato. A volte scritto come BBC Enterprise Ltd.

Gli elementi mostrati qui provengono dalla libreria "principale" di dischi e nastri della BBC che copre un'ampia selezione di generi da temi, commedie drammatiche e altri, a seconda del formato selezionato.

Statistieken

Hier zijn enkele statistieken over deze pagina.
Paginaweergaven: 1667 sinds 20 mei 2017, mondiale rangschikking is 3369, rang in cassettes 236.
Deze pagina is voor het laatst bijgewerkt op unknown

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Copyright

© 2002-2025 Mike Everitt.

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