Below is my review for this release and the ratings. |
A good entry, I will include a full review asap! |
Ratings |
---|
My rating | 3 |
Guest rating | Current average value is 3.
To vote, please select one of these buttons: |
Extra notes on cover, middle (gatefold sleeve) and any inserts |
Musicians Jet Black (Brian Duffy) (1974-), Jean-Jacques Burnel (1974-), Hugh Cornwell (up to 1990), Hans Warmling (up to 1975), Dave Greenfield (1975-2020), Paul Roberts (1990-2006), John Ellis (1990-2000), Baz Warne (2000-) CD has the additional tracks: Choosey Susie, Go Buddy Go, Peasant In The Big Shitty (Live). |
|
Other versions |
I have the title track on these releases: |
CDP 746362 2 | Rattus norvegicus |
|
Other versions |
I have the title track on these releases: |
[anything_else] | SIGNEDPICS | Pictures |
Further information |
The Stranglers are an English rock band who emerged via the punk rock scene. The current members are Jean-Jacques Burnel, Baz Warne, Jim Macaulay and Toby Hounsham. Past members were Jet Black, Hugh Cornwell, Hans Warmling, Dave Greenfield, John Ellis and Paul Roberts.
Scoring some 23 UK top 40 singles and 17 UK top 40 albums to date in a career spanning four decades, the Stranglers are one of the longest-surviving and most "continuously successful" bands to have originated in the UK punk scene. Formed as the Guildford Stranglers on 11 September 1974 in Guildford, Surrey, they originally built a following within the mid-1970s pub rock scene. While their aggressive, no-compromise attitude identified them as one of the instigators of the UK punk rock scene that followed, their idiosyncratic approach rarely followed any single musical genre and the group went on to explore a variety of musical styles, from new wave, art rock and gothic rock through the sophisti-pop of some of their 1980s output. They had major mainstream success with their 1982 single "Golden Brown". Their other hits include "No More Heroes", "Peaches", "Always the Sun" and "Skin Deep" and the 2003 Top 40 hit "Big Thing Coming", which was seen as a return to form. |